• Photograph of a sign taken in Key West, Florida. The sign reads “90 Miles to Cuba.” The illustration above the text portrays a Carmen Miranda-like Cuban woman’s head and face. She wears a fruit hat with green leaves and a large red and white bow on the front. The illustration depicts a woman with rosy red cheeks, full red lips, heavily mascarad blue eyelids, and pencil thin eyebrows. Her head is cocked at a slight angle as she appears to be looking over her left shoulder. The white background of the sign contrasts with the faded gray and white boards upon which the sign has been nailed.

    90 Miles to Cuba

    $822.00 – $2,832.00
    A sign in Key West reminds us of Cuba's close proximity to Florida.  So close, yet so far.
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  • A dark, landscape photo of a carousel at night in Acapulco, Mexico. This medium shot focuses on one of the carousel seats depicting a mermaid with long golden hair that falls down to her bare shoulders. We view her at a 45-degree angle as she stares wide-eyed to the right side of the image. She has a long but full face, dark red lips, large black heavily-mascarad eyes, and long pencil thin eyebrows. Both forearms bend forward at her elbows in a superwoman pose, as if she is flying over the ocean. Around and above her we see softly glowing white, green, blue, and red 3-inch round decorative lightbulbs underneath the canopy, creating a shine on her glazed head, shoulders, and torso. The deserted motionless carousel, which should be rotating with loud music and filled with smiling happy children, instead conveys a ghostly quiet stillness.

    Acapulco Carousel (1/3)

    $822.00 – $2,832.00
    Walking around Acapulco one evening (back when Acapulco was safe) I found a carousel with all the lights on—but no one around.  I checked my watch to ensure that I hadn't slipped into the Twilight Zone, and then shot away.  Image taken while cruising Mexico in our sailboat 2000.  #1 of a triptych.
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  • A dark, underexposed landscape photo of a carousel at night in Acapulco, Mexico. The full width of the motionless, empty carousel fills the frame horizontally, with black sky in the upper third of the image. Beneath the canopy, softly glowing white, green, blue, and red 3-inch round decorative lightbulbs cast a faint sheen onto the brass poles below, which thread dimly lit vacant horses hovering over the floor. The deserted carousel, which should be rotating with loud music and filled with smiling happy children, instead conveys a ghostly quiet stillness.

    Acapulco Carousel (2/3)

    $822.00 – $2,832.00
    Walking around Acapulco one evening (back when Acapulco was safe) I found a carousel with all the lights on—but no one around.  I checked my watch to ensure that I hadn't slipped into the Twilight Zone, and then shot away.  Taken while cruising Mexico in our sailboat 2000.  #2 of a triptych.
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  • A dark, landscape photo of a carousel at night in Acapulco, Mexico. This medium shot focuses on one of the carousel seats: A white horse with its golden mane fills the left 2/3s of the image. His bridle bites into his mouth, as he grimaces and flashes his teeth. Behind, but to the right and forward of the we horse, we see a Disney-like Pluto character. The bald dog’s bulbous red nose points upward. His open mouth, which is curved down at the back of his jaw, and capped by enormous upper teeth, gives him a grotesque, almost fearful expression—as if something is pursuing him. In the upper right corner of the photo, dimly lit green lightbulbs surround an out-of-focus clown portrait in an oval frame. The deserted motionless carousel, which should be rotating with loud music and filled with smiling happy children, instead conveys a ghostly quiet stillness.

    Acapulco Carousel (3/3)

    $822.00 – $2,832.00
    Walking around Acapulco one evening (back when Acapulco was safe) I found a carousel with all the lights on—but no one around.  I checked my watch to ensure that I hadn't slipped into the Twilight Zone, and then shot away.  Image taken while cruising Mexico in our sailboat, 2000.  #3 of a triptych.
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  • North America, United States, New Mexico, Albuquerque. Shadows angle down from structural wood support beams onto an adobe stucco wall in Old Town, Albuquerque.

    Adobe Sunlight and Shadow

    $822.00 – $2,832.00
    Walking Old Town Albuquerque (a touristy attraction comprised mostly of trinket shops) I turned down a side alley to find this simple adobe wall with wooden support beams (technical term: vigas), casting long shadows at a 45-degree angle across the stucco canvas.  
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  • A tight vertical photo looking up from the base of the waterfall to the top of Amicalola Falls, at the Amicalola Falls State Park in Georgia. The camera angle looks upward to the height of the falls about 150-feet away. A ¼-second exposure blurs the water as it cascades down from the upper left-half of the image to the right half in the middle, filling the full camera frame at the bottom. Green foliage and slick black rock surfaces frame the tumbling waterfall around the falling water.

    Amicalola Falls

    $822.00 – $2,832.00
    We drove to Amicalola Falls State Park while visiting friends who rented a cabin in Ellijay, Georgia.  This vantage point of the 729-foot waterfall requires walking down 600-stairs to the base.  Going down is not the problem.
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  • Medium vertical photo standing on a wooden walkway that stretches out in front and across a small gully at the starting point of the Appalachian trail located at Amicalola Falls State Park, Georgia. Brown leaves cover the hillside, which slopes from the upper left to the lower right on either side of the bridge. three dark gray tree trunks are spaced equidistantly just beyond the walkway in the upper half of the image. Beyond these three trees several hundred small tree trunks cover the sloping hillside on the top third of the photo with a mosaic of spring green leaves. A light blue sky provides a backdrop to the thick canopy of green leaves.

    Appalachian Approach

    $822.00 – $2,832.00
    We drove to Amicalola Falls State Park while visiting friends who rented a cabin in Ellijay, Georgia.  This image was taken on the trail from the lodge up to the falls.  Here you will find the southern terminus of the 2,200 mile Appalachian Trail.
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  • Landscape photo of the Arturo Fuente cigar store in Ybor City, at night. We see the building at an angle, as the photograph was taken from the right-front side of the store looking down the sidewalk to the left. Incandescent lights underneath a four-foot-wide overhang, supported by three pairs of black metal posts, illuminate the storefront in a warm glow. An oval-shaped neon sign protrudes perpendicularly from the tiled roof, in front of a black night sky, proclaiming: “Cigars, Arturo Fuente” in yellow neon, surrounded by a red neon border. The sidewalk is vacant underneath Ybor City’s globe-clustered streetlights which are visible down to the horizon.

    Arturo Fuente Cigars (1/2)

    $822.00 – $2,832.00
    We lived in Tampa for a decade, adjacent to Ybor City which was once the cigar capital of the world.  While not a cigar smoker myself, I find cigar culture photographically intriguing.  Located in Ybor City, Arturo Fuente hand-rolled cigars are rated among the best in the world.  Image #1 of 2.
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  • Landscape photo of the Arturo Fuente cigar store in Ybor City, at night. The store front’s Mediterranean tiled roofline angles from the upper right corner down to the lower left corner of the image. In the upper left corner of the image, an oval-shaped neon sign angles 45-degrees out from the tiled roof. The roofline and sign form an X, framed by a dark black sky. The sign proclaims: “Cigars, Arturo Fuente” in yellow neon letters, surrounded by a red neon border. In the lower right third of the image an oval varnished wooden sign states “Metropolitan Cigars” in yellow letters over the top of a rounded, arched wooden door frame.

    Arturo Fuente Cigars (2/2)

    $822.00 – $2,832.00
    We lived in Tampa for a decade, adjacent to Ybor City which was once the cigar capital of the world.  While not a cigar smoker myself, I find cigar culture photographically intriguing.  Located in Ybor City, Arturo Fuente hand-rolled cigars are rated among the best in the world.  Image #2 of 2.
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  • A 3-foot wide, shallow basket, made of out thick twigs, shows off 100 or more colorful Mexican peppers that fill the screen with green, yellow, orange, and bright red. Two small, white plastic bowls sit atop the stack of peppers with additional peppers arranged into a design like an opening flower—some leaning over the side of the bowl, and some pointing upwards.

    Benito Juarez Market Peppers

    $822.00 – $2,832.00
    Close up of a basket of red and green peppers for sale at the Benito Juarez market in Oaxaca, Mexico. This 3-foot wide basket of peppers completely covered the spectrum from green, yellow, orange, and bright red. Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico. While the Benito Juarez Market isn't the only market in Oaxaca, it's a large and vibrant one with over 360 vendors selling ... everything.  
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  • Vertical portrait of man dressed for the carnival celebration of lent in the village of Tilcajete, Mexico. The man has painted his face in light-blue paint, which covers his forehead down to his chin. The blue paint also covers his short mustache and beard. He has painted three blue vertical lines down his face, across his eyes and cheeks; and down the middle of his forehead, nose, and chin. He wears a paper-mache jaguar head mask like a hat on the top of his head. About 35-peacock feathers protrude from the back of his head in a 180-degree arc. Over the top of a brown and white tie-dyed shirt, red-dyed corn and brown acorn necklaces hang around his neck.

    Blue man Tilcajete carnival

    $822.00 – $2,832.00
    Prior to Ash Wednesday the village of Tilcajete, near Oaxaca, celebrates carnival with imaginative animal and creature masks in chanting, grunting, colorful processions. Here, a carnival celebrant wears blue face paint with a jaguar mask on top of his head, and peacock feathers fanned out behind his head. (I have a similar shot of his female companion.) Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico.  
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  • Horizontal photo of a 1940s vintage pickup truck that has been abandoned on the island of Maui, Hawaii. The photo was taken from the right side of the truck, with the front of the truck pointing to the image’s right. The truck’s bulbous rounded cab appears just large enough for two people. The right front tire has been removed underneath the fender. A rusted wheel sits directly on the ground. The truck’s patchy blue paint—light sky blue to a deep azure—makes the truck pop against the dark brown and green hillside in the background. Dark brown rust spots punctuate and accent the blue exterior. In the top right corner of the photo the cab of another abandoned truck, visible over the blue truck’s fender, faces the opposite direction—as if two lonely friends sit silently together.

    Blue Truck (1/3)

    $822.00 – $2,832.00
    During one of our many trips to Maui we rented a car and drove the back road to Hana, along Maui's north shore—including its 617 turns and 59 bridges over 52-miles of mostly dirt road.  Off of a side road I spotted a make-shift junk yard of abandoned trucks.  Need I say more?  Also see 'Graffiti Truck' for another series of images from this shoot.
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  • Vertical photo of a 1940s vintage pickup truck that has been abandoned on the island of Maui, Hawaii. The photo was taken from the left side of the truck, just behind the driver’s door. The front of the truck points to the image’s left. This is a tight shot of the driver’s door, cab, and left front fender. The truck’s hood has been removed. The driver’s side door has been spray painted a deep azure blue—which makes the truck stand out against the rusty brown cab roof. A shiny chrome door handle contrasts brightly against the blue door. Paint on the truck’s left front fender, the same deep azure blue, flakes away in large sheets, exposing the original light blue color underneath. A white flaking steering wheel can be seen through the driver’s window in the interior of the truck.

    Blue Truck (2/3)

    $822.00 – $2,832.00
    During one of our many trips to Maui we rented a car and drove the back road to Hana, along Maui's north shore—including its 617 turns and 59 bridges over 52-miles of mostly dirt road.  Off of a side road I spotted a make-shift junk yard of abandoned trucks.  Need I say more?  Also see 'Graffiti Truck' for another series of images from this shoot.
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  • Vertical photo of a steering wheel taken inside the cab of a 1940s vintage pickup truck that has been abandoned on the island of Maui, Hawaii. Protruding from the metal dashboard and supported by a small 2-inch diameter cylindrical post, the large white round wheel shows severe, deep cracks and flaking from age. In the upper right corner of the image the original thick glass windshield has broken in half vertically. Large rust spots pockmark the once white metal dashboard. Vines growing in from the open window entwine the interior of the cab, weaving through and around the steering wheel. Several of the vines are supple, fresh, and green; others dried and brown.

    Blue Truck (3/3)

    $822.00 – $2,832.00
    During one of our many trips to Maui we rented a car and drove the back road to Hana, along Maui's north shore—including its 617 turns and 59 bridges over 52-miles of mostly dirt road.  Off of a side road I spotted a make-shift junk yard of abandoned trucks.  Need I say more?  Also see 'Graffiti Truck' for another series of images from this shoot.
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  • Vertical portrait of woman dressed for the carnival celebration of lent in the village of Tilcajete, Mexico. She has painted her face in light-blue paint, which covers her forehead down below her neck. Three blue vertical lines run down her face, forehead, eyes, cheeks, and chin. On top of her head, an American Indian-style headdress sprouts peacock feathers which stick up into the sky. Large multicolored earrings dangle from her ears. Four beaded necklaces drape over her jaguar-print shirt, underneath a long sleeve V-neck blouse with a faux fur collar. She carries a small human skull on a stick in her right hand.

    Blue woman Tilcajete carnival

    $822.00 – $2,832.00
    Prior to Ash Wednesday the village of Tilcajete, near Oaxaca, celebrates carnival with imaginative animal and creature masks in chanting, grunting, colorful processions. Here, a carnival celebrant wears blue face paint with a peacock head dress. (I have a similar shot of her male companion.) Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico.  
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  • Horizontal landscape photo of a sunset on Captiva Island, Florida. A dark golden sky at the horizon, visible on the upper third of the image, extends upward to a light gray after the sun has set. Wisps of gray and amber-colored clouds stretch across the middle of the sky. Bands of light and dark bluish-gray waves reflect the gold-colored sky in the lower 2/3 of the image. A young boy and girl, visible as dark silhouettes, play in the shallow waves breaking on the beach in the lower right third corner of the photo.

    Captiva Sunset

    $822.00 – $2,832.00
    Children play in the surf, silhouetted by sunset at Alison Hagerup Beach on Captiva Island.  Captiva is a 40-minute drive from our home in Southwest Florida (if you don't mind the $6 causeway toll).  Image #3 of 3.
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  • Horizontal photo of shirtless man dressed for the carnival celebration of lent in the village of Tilcajete, Mexico. His back is covered in black paint which has caked and dissolved in sweat from his activity in the hot sun. He has tied ten or more black cowbells around his waist, visible across the center third of the image. The cowbells bounce and carom into the air as he dances and chants. Underneath the cowbells we see a heavy burlap garment, stained from his black body paint, and fraying around the edges.

    Cowbell carnival cacophony

    $822.00 – $2,832.00
    Prior to Ash Wednesday the village of Tilcajete, near Oaxaca, celebrates carnival with imaginative animal and creature masks in chanting, grunting, colorful processions. Here, a carnival celebrant parades through the dusty village streets with his group of similarly-costumed friends. The cowbells strapped around his waist clang and and jangle as he grunts and dances. Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico.  
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  • A vertical photo of an exterior church wall in Huatulco, Mexico. The wall is painted bright red, which glows brightly in the early morning sunrise, as the sun tips over the horizon. A window in the shape of a crucifix, constructed of narrow 4-inch glass strips, angles from the bottom right third of the image and extends to the top where it intersects at the center edge. The window’s glass is set several inches back into the red stucco wall, such that we only see the dark shadows of the cross in the window, due to the angle of the sun. In the lower third of the image, we see another shadow of a crucifix mounted somewhere in the church’s front lawn. The cross-shadow points toward the upper center of the photo. Two cross-shadows angled onto a bright red wall in the morning sun.

    Crimson Crosses

    $822.00 – $2,832.00
    During an early morning photo walkabout in Huatulco, Mexico, I found a red church in full sun, with a shadow of the cross in the front of the church in close juxtaposition to the cross shaped window.  For Christian cross lovers (as opposed to Christopher Cross lovers).  Image taken while cruising Mexico in our sailboat 2000.
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  • Horizontal photo of four large, light blue ceramic urns, 18-inches at the center diameter, that appear to have been abandoned in the church of Saint John the Baptist, located in San Juan Bautista Coixtlahuaca, Mexico. The dusty urns lean against a stucco wall, askew, on a table along with several discarded candleholders and an old hanging chain light fixture with four dirty bare lightbulbs.

    Forgotten blue urns

    $822.00 – $2,832.00
    Three long-forgotten, dust-coated, blue ceramic urns sit abandoned on a dusty table in the organ loft of the church of Saint John the Baptist  in the village of San Juan Bautista Suchix Hahuca. Old wooden candlesticks lie strewn about the table. A still life image caught in time. Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico.  
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  • Looking northwest from brick-paved First Street in downtown Fort Myers, the faint light of an early dawn glows blue at the vanishing point on the horizon, brightening the dark sky overhead. Electric wall sconces illuminate the 2nd story of the building visible on the right side of the image, shining columns of light up towards the roof which highlights and accents the horizontal cornice along the roofline. Streetlamps and 30-foot palms line the street—the palm trees silhouetted by dawn sky. The street is empty and quiet except for metal sidewalk street art of a man balancing on a unicycle on the right side of the image.

    Fort Myers Sunrise 1

    $822.00 – $2,832.00
    Early morning sunrise on First Street in downtown Fort Myers. I wanted to capture the historic district of Fort Myers without the usual traffic and tourists. Shot was taken 5:00 a.m. on a Sunday morning.
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  • Looking northwest from the center of brick-paved First Street in downtown Fort Myers, the faint light of an early dawn glows blue at the vanishing point on the horizon, brightening the dark sky overhead. Streetlamps illuminate the 2-story building fronts while 30-foot palms lining the street are silhouetted by dawn on the horizon. The street is empty and quiet except for metal sidewalk street art of a man balancing on a unicycle.

    Fort Myers Sunrise 2

    $822.00 – $2,832.00
    Early morning sunrise on First Street in downtown Fort Myers. I wanted to capture the historic district of Fort Myers without the usual traffic and tourists. Shot was taken 5:00 a.m. on a Sunday morning.
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  • Looking southwest and down the street from the center of brick-paved First Street in downtown Fort Myers, both curbs diminish toward the vanishing point almost 1-mile distant. Streetlamps in front of 30-foot palm trees line the avenue and illuminate Capone’s Coal Fired Pizza and Cabos Cantina in the foreground. The street is completely empty as the black sky overhead slowly fades to dawn. At the end of the street, and in the center of the photograph, High Point Place, a 33-story high-rise condominium, faintly catches early rays of the rising sun.

    Fort Myers Sunrise 3

    $822.00 – $2,832.00
    Early morning sunrise on First Street in downtown Fort Myers. I wanted to capture the historic district of Fort Myers without the usual traffic and tourists. Shot was taken 5:00 a.m. on a Sunday morning.
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  • Horizontal photo of an abandoned 1950s truck on the island of Maui, Hawaii taken from the right front side of the vehicle, about 10-feet distant. The truck’s surface is covered with rust. Some would-be graffiti artist has spray painted various random designs on the front grill, hood, and cab—stars, circles, swirls, and stripes—with yellow, blue, green, and red paint. Both headlights are long gone, as are all the tires. Rocks have been thrown through the front window, which angles back slightly from a vertical center fold, leaving shards of broken glass around the edges.

    Graffiti Truck (1/2)

    $822.00 – $2,832.00
    During one of our many trips to Maui we rented a car and drove the back road to Hana, along Maui's north shore—including its 617 turns and 59 bridges over 52-miles of mostly dirt road.  Off of a side road I spotted a make-shift junk yard of abandoned trucks.  Need I say more?  Also see 'Blue Truck' for another series of images from this shoot.
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  • Horizontal photo of an abandoned 1950s truck on the island of Maui, Hawaii taken from the left front side of the vehicle, about 10-feet distant. The truck’s surface is covered with rust. Some would-be graffiti artist has spray painted various random designs on the front grill, hood, and cab—stars, circles, swirls, and stripes—with yellow, blue, green, and red paint. Both headlights are long gone. An old tire still clings to the rusted front wheel. Rocks have been thrown through the front window, which angles back slightly from a vertical center divider, leaving shards of broken glass around the edges. The driver’s door is ajar.

    Graffiti Truck (2/2)

    $822.00 – $2,832.00
    During one of our many trips to Maui we rented a car and drove the back road to Hana, along Maui's north shore—including its 617 turns, 59 bridges, and over 52-miles of mostly dirt road. Off of a side road I spotted a make-shift junk yard of abandoned trucks.  Need I say more?  Also see 'Blue Truck' for another series of images from this shoot.
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  • A horizontal photo of a man hand cutting and rolling dried tobacco leaves at the Cuba Tobacco Cigar Company in Little Havana, Miami. The image focuses on a row of 27 double-stacked freshly rolled cigars, which are perpendicular to the camera in the lower-half of the photo. The dark tan-colored cigars—their pointed tips have not yet been trimmed—rest atop a scuffed worktable, stained in a reddish mahogany. Small 1-inch blocks of wood lie on either side of the cigar row, preventing the cylindrical cigars from rolling off the table’s edge. In the top half of the photo, the man, blurred in the background several feet away, sits facing the camera. We see his chest, arms, and hands. He wears a black T-shirt covered by a maroon-colored apron with gold trim on the sides and around the U-shaped neck. He wipes his hands with a gold-colored cloth. His right forearm rests on a plastic cutting board adjacent to an oval-shaped steel cutting blade.

    Hand Made Cigars

    $822.00 – $2,832.00
    I shot several images of the Cuba Tobacco Cigar Company during a shooting trip to Little Havana in Miami. A worker makes hand cut and hand rolled cigars. Little Havana is a neighborhood in Miami that is home to many Cuban exiles. The neighborhood is known for Cuban culture, food, and cigars.
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  • A horizontal photo of a man hand cutting and rolling dried tobacco leaves at the Cuba Tobacco Cigar Company in Little Havana, Miami. The man, sitting, faces the camera. We see his chest, arms, and hands. He wears a black T-shirt covered by a maroon-colored apron with gold trim on the sides and around the U-shaped neck. He holds an almost finished, wrapped cigar in his left hand as he uses his left hand to adhere the loose edge of a leaf to the tip of the cigar. The worker’s fingers are stained brown from working with the tobacco leaves. He works over a plastic cutting board—its cracks and cervices also stained brown from the dark, dried leaves. On the left side of the cutting board a small pair of stainless steel trimming scissors lies atop of an oval-shaped steel cutting blade. Discarded tobacco leaf remnants cover the chipped, wooden table on the left and right side of the cutting board.

    Hand Rolling Cigars

    $822.00 – $2,832.00
    I shot several images of the Cuba Tobacco Cigar Company during a shooting trip to Little Havana in Miami. A worker hand cuts and hand rolls cigars in the store. Little Havana is a neighborhood in Miami that is home to many Cuban exiles. The neighborhood is known for Cuban culture, food, and cigars.
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  • Off the forward bow of our observation boat, a Hobie 16 catamaran under full sail hikes up out of the water in front of us. Leaning heavily to port, its forward starboard pontoon flies 4-5 feet in the air out of the blue Gulf of Mexico. Only the forward part of the white port-side pontoon is visible—the aft is buried deep in the water as the Hobie jets past us at 15-20 knots. The cat’s black mast leans 45-degrees to port, jib and mainsail stretched tight in the wind. The sailor closest to me in blue hikes out over the starboard side of the pontoon. His companion in yellow leans further out to starboard, tethered with a safety harness that keeps him from flying off the boat.

    Hiking Out

    $822.00 – $2,832.00
    The 22nd Hobie 16 World race was held on Captiva Island, Florida, on November, 2019.  Sailors hike out to windward to counter the force of the wind on the sails during one of the races.  The starboard pontoon is about 5-6 feet out of the water.  
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  • We see a landscape shot of open sky where blue clouds, offset against a deep blue sky, cap off a small strip of dark blue water in the bottom eighth of the photo. On the horizon line, intersecting sky and water, we see eleven Hobie 16 catamarans, orange and white sails piercing the skyline, spread out across the image as they race each other into the wind.

    Hobie Cat Sky

    $822.00 – $2,832.00
    The 22nd Hobie 16 World race was held on Captiva Island, Florida, on November, 2019.  11 Hobie Cats point to windward during one of the races, framed by a backdrop of blue clouds floating in a light blue sky.
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  • A landscape photo of green plastic fishnet crumpled into a pile on the beach in Huatulco, Mexico. The green fishnet, a twisted jumble of netting ranging in color from a dark teal to a light forest green, fills the image. On the left third of the photo, two yellow buoys—the size of large softballs—nestle against each other just underneath the fishnet. A ¼-inch yellow plastic twisted line threads through the buoys, swirling and looping around the image, in and out of the green fishnet.

    Huatulco Fish Nets (1/2)

    $822.00 – $2,832.00
    Fishing nets piled onto a beach in the town of Huatulco, Mexico on the Pacific Ocean.  Image #1 of 2.  Taken while cruising Mexico in our sailboat 2000.
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  • A landscape photo of green plastic fishnet crumpled into a pile on the beach in Huatulco, Mexico. The green fishnet, a twisted jumble of netting ranging in color from a dark teal to a light forest green, fills the image. A ¼-inch yellow plastic twisted line swirls and loops around the image, in and out of the green fishnet.

    Huatulco Fish Nets (2/2)

    $822.00 – $2,832.00
    Fishing nets piled onto a beach in the town of Huatulco, Mexico on the Pacific Ocean.  Image #2 of 2.  Taken while cruising Mexico in our sailboat 2000.
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  • This landscape layout photo shows a street scene in Huatulco, Mexico. At the bottom of the image, we see the street, just above which there is a 9-inch curb and sidewalk. The back of the sidewalk intersects with an orange stucco wall at about 1/3 of the image height. A leafless tree trunk extends from the middle of the sidewalk up out of the top of the frame, branching into three smaller trunks in the upper third of the photo. On either side of the tree trunk two men lie asleep on their backs. They lie parallel to each other at an angle to the sidewalk: heads to the left, toros stretching to the curb where their knees bend above the edge, with their feet planted on the street. Street, curb, sidewalk, and tree are all a similar shade of gray. Yellow leaves have blown into the corner of the street and curb. A bright shaft of light spills down just behind the tree, highlighting the orange stucco wall. It’s a peaceful afternoon siesta in Huatulco.

    Huatulco Siesta

    $822.00 – $2,832.00
    Walking around Huatulco, Mexico, one afternoon, I turned the corner to find two men taking a sidewalk siesta in the afternoon heat.  This was one of those photographer moments when panic struck: can I get the camera up, shutter speed set, lens focused, and get the shot off before they stirred?  Yes!  Was it all that time behind the lens that paid off?  Probably not.  They were really zonked out.  (Or maybe a little bit of both.)  This is one of my favorite images from Mexico.  Image made while cruising Mexico in our sailboat 2000.
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  • Inn and Spa at Loretto, Santa Fe

    Inn at Loretto Adobe Geometry

    $822.00 – $2,832.00
    The Inn and Spa at Loretto is located on the Old Santa Fe Trail, just southeast of downtown Santa Fe. The hotel's abstract geometric adobe block architecture, punctuated with brown metal gutters that look like wooden support beams jutting out from the walls; and the shadows from the morning sun, caught my attention.  
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  • Horizontal landscape scene on the island of Maui, Hawaii. Taken from the top of a hill, the photo provides a sweeping view of pineapple fields in the foreground and the island of Molokai on the distant horizon. Five distinct horizontal bands stripe across the image. Deep green pineapple fields, interlaced with terracotta colored access roads, comprise the lower third of the photo. Six tall palm trees form a tight cluster on the edge of the fields in the left third of the image half a mile away. Above the pineapple fields the blue Pacific Ocean, freckled by occasional tiny whitecaps, forms the straits between Maui and Molokai. In the upper third of the image, Molokai’s bluish-gray mountains—the world’s highest sea cliffs—rise from the ocean to reach an altitude of over 3,000 feet. Thick white cumulous clouds hover at the crest of the mountain ridgeline. Light blue sky forms the final band of color at the top of the photo.

    Maui Pineapple Fields Forever

    $822.00 – $2,832.00
    Pineapple cultivation used to be one of the largest industries on Maui.  However, many pineapple businesses closed in the 2000s.  Although there has been a resurgence in pineapple farming with hybrid grafting techniques, scenes like this one from 2000 have largely disappeared.
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  • Horizontal landscape photo looking south on the Naples Beach at sunset. Ripples of white sand, illuminated by the setting sun to the right, with rippled shadows on the left, fill the bottom half of the photo with pastel shades of beige, mauve, light gray, and amber. A solid, light gray cloud covers the top 1/3 of the image, underneath which cloud wisps wash across a light blue sky which blends with faint yellow and blue pastels of the ocean on the right side of the photo. A triangle of palm trees and green foliage, glowing from the setting (off-camera) sun, slices into the scene on the left 1/3 of the image. Small distant figures walk on the beach in the distance.

    Naples Beach Afternoon, 2018

    $822.00 – $2,832.00
    A wide stretch of white sand shaded pink in the setting sun at Naples Beach, Florida.  I took this image after Bekki and I had dinner in Naples.  Just walk Fifth Avenue west until you reach the Gulf.
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  • Horizontal landscape photo of a sunset at Naples Beach, Florida. The sun, visible as a bright pinpoint just left of center on the horizon, 1/5th from the bottom of the photo, burns through a micro strip of dark gray clouds just at the ocean’s edge. The setting sun casts a golden sheen across a black-teal almost waveless Gulf of Mexico. The underside of clouds stretching across the upper 2/3 of the photo glow a faint but deep yellow gold from the diminishing sun. Distinctive colorful shapes from many other smaller clouds—bright white, dark gray, and deep gold—explode across a dark blue sky just above the horizon, like puffs of smoke from exploding fireworks.

    Naples Beach Sunset, 2018

    $822.00 – $2,832.00
    Golden sun on the horizon just at sunset on Naples Beach, Florida.  I made this image after Bekki and I had dinner in Naples.  The beach is a short walk down Fifth Avenue.
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  • A horizontal drone photo on Ocean Drive in Miami’s South Beach at night. Taken from 30-feet in the air from the park across the street, the composition looks straight to the center of the Avalon Hotel. Bands of bright green neon lights stretch across each of the three-story balconies, in between a checkerboard of backlit and unlit windows. The hotel’s signature “Avalon” horizontal sign, in large art-deco font, illuminates the front of the building’s second story. Square yellow umbrellas line Ocean Drive where guests dine alfresco. A lone, white and yellow 57’ Chevy convertible, with 4-inch whitewall tires and lots of ‘attitude,’ sits proudly, parked on the street. The polished hood and trunk of the Chevy glistens underneath the green lights of the hotel’s façade.

    Ocean Drive at night – Avalon

    $822.00 – $2,832.00
    Elaborate lighting systems illuminate South Beach's Ocean Drive at night. This is one of a series of drone shots which required three separate trips to South Beach.  The shots were technically difficult because of pedestrians, vehicles, and stiff breezes off of the Atlantic Ocean.  This shot is of the Avalon hotel with a vintage yellow and white 1957 Chevy convertible parked in front.
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