- The Rio Grande Gorge Bridge, located about 12-miles northwest of Taos, is purported to be the fifth highest bridge in the U.S., spanning the gorge 650-feet above the Rio Grande. This shot was taken about 1/4 mile north of the bridge. In reviewing the video afterwards, I realized the drone grazed the cliff wall—as evidenced by shaking video. Lucked out again.
- The Rio Grande Gorge Bridge, located about 12-miles northwest of Taos, is purported to be the fifth highest bridge in the U.S., spanning the gorge 650-feet above the Rio Grande. I couldn't resist flying my drone underneath the bridge, which was technically challenging from 800-feet away, above the cliff walls, in the bright sun. High five for not crashing the drone!
- The Rio Grande Gorge Bridge, located about 12-miles northwest of Taos, is purported to be the fifth highest bridge in the U.S., spanning the gorge 650-feet above the Rio Grande. I couldn't resist flying my drone underneath the bridge, which was technically challenging from 800-feet away, above the cliff walls, in the bright sun. High five for not crashing the drone!
- Valles Caldera National Preserve is located in the Jemez Mountain range of northern New Mexico. The volcanic eruption that occurred 1.25-million years ago left behind a 14-mile wide volcanic caldera. As we explored the preserve in our rented Highlander that afternoon, squalls streamed across the basin, illuminated by late afternoon sun.
- The Inn and Spa at Loretto is located on the Old Santa Fe Trail, just southeast of downtown Santa Fe. The hotel's abstract geometric adobe block architecture, punctuated with brown metal gutters that look like wooden support beams jutting out from the walls; and the shadows from the morning sun, caught my attention.
- A stone walkway with arched teal door at the church of Saint John the Baptist in the village of San Juan Bautista Suchix Hahuca. Construction for this Renaissance architecture church was completed in 1576. Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico.
- Three long-forgotten, dust-coated, blue ceramic urns sit abandoned on a dusty table in the organ loft of the church of Saint John the Baptist in the village of San Juan Bautista Suchix Hahuca. Old wooden candlesticks lie strewn about the table. A still life image caught in time. Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico.
- Prior to Ash Wednesday the village of Tilcajete, near Oaxaca, celebrates carnival with imaginative animal and creature masks in chanting, grunting, colorful processions. Here, a carnival celebrant parades through the dusty village streets with his group of similarly-costumed friends. The cowbells strapped around his waist clang and and jangle as he grunts and dances. Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico.
- Prior to Ash Wednesday the village of Tilcajete, near Oaxaca, celebrates carnival with imaginative animal and creature masks in chanting, grunting, colorful processions. Here, a carnival celebrant wears blue face paint with a peacock head dress. (I have a similar shot of her male companion.) Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico.
- Prior to Ash Wednesday the village of Tilcajete, near Oaxaca, celebrates carnival with imaginative animal and creature masks in chanting, grunting, colorful processions. Here, a carnival celebrant wears blue face paint with a jaguar mask on top of his head, and peacock feathers fanned out behind his head. (I have a similar shot of his female companion.) Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico.
- Red bull alebrijes carving in the Isaias Jimenez’s studio located in the small town of Arrazola, about 4-miles southwest of Oaxaca. Isaias continues the Oaxacan alebrijes style created by his father Manuel Jiménez Ramírez (who has his own Wikipedia page). Alebrijes are a style of brightly colored Mexican folk art sculptures of imaginary and mythical creatures. Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico.
- People gather in the Plaza de la Danza (literally, "dance square") at dusk, adjacent to the Basilica of Our Lady of Solitude in Oaxaca, Mexico. Families still gather socially in plazas and squares throughout Mexico. This plaza was very close to our hotel, so we walked past it almost every evening. I thought it was a quintessential Mexican scene: a plaza with families and friends adjacent to the church and lights twinkling on the distant mountain as twilight fades to night. Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico.
- Close up of a basket of red and green peppers for sale at the Benito Juarez market in Oaxaca, Mexico. This 3-foot wide basket of peppers completely covered the spectrum from green, yellow, orange, and bright red. Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico. While the Benito Juarez Market isn't the only market in Oaxaca, it's a large and vibrant one with over 360 vendors selling ... everything.
- Elaborate lighting systems illuminate South Beach's Ocean Drive at night. This is one of a series of drone shots which required three separate trips to South Beach. The shots were technically difficult because of pedestrians, vehicles, and stiff breezes off of the Atlantic Ocean. This shot is of the Colony and Boulevard Hotels.
- Elaborate lighting systems illuminate South Beach's Ocean Drive at night. This is one of a series of drone shots which required three separate trips to South Beach. The shots were technically difficult because of pedestrians, vehicles, and stiff breezes off of the Atlantic Ocean. This shot is of the Leslie Hotel.
- Elaborate lighting systems illuminate South Beach's Ocean Drive at night. This is one of a series of drone shots which required three separate trips to South Beach. The shots were technically difficult because of pedestrians, vehicles, and stiff breezes off of the Atlantic Ocean. This shot is of Havana 1957—an authentic Cuban restaurant.
- Elaborate lighting systems illuminate South Beach's Ocean Drive at night. This is one of a series of drone shots which required three separate trips to South Beach. The shots were technically difficult because of pedestrians, vehicles, and stiff breezes off of the Atlantic Ocean. This shot is of the Crescent Resort on the left, with the Mc Alpin on the right.
- Elaborate lighting systems illuminate South Beach's Ocean Drive at night. This is one of a series of drone shots which required three separate trips to South Beach. The shots were technically difficult because of pedestrians, vehicles, and stiff breezes off of the Atlantic Ocean. This shot is of the Avalon hotel with a vintage yellow and white 1957 Chevy convertible parked in front.
- Elaborate lighting systems illuminate South Beach's Ocean Drive at night. This is one of a series of drone shots which required three separate trips to South Beach. The shots were technically difficult because of pedestrians, vehicles, and stiff breezes off of the Atlantic Ocean. This shot is of the Breakwater hotel.
- Elaborate lighting systems illuminate South Beach's Ocean Drive at night. This is one of a series of drone shots which required three separate trips to South Beach. The shots were technically difficult because of pedestrians, vehicles, and stiff breezes off of the Atlantic Ocean. This shot is of the McAlpin and Ocean Plaza Hotels.
- Elaborate lighting systems illuminate South Beach's Ocean Drive at night. This is one of a series of drone shots which required three separate trips to South Beach. The shots were technically difficult because of pedestrians, vehicles, and stiff breezes off of the Atlantic Ocean. A shot of Mango's Tropical Cafe.