• Photograph of a sign taken in Key West, Florida. The sign reads “90 Miles to Cuba.” The illustration above the text portrays a Carmen Miranda-like Cuban woman’s head and face. She wears a fruit hat with green leaves and a large red and white bow on the front. The illustration depicts a woman with rosy red cheeks, full red lips, heavily mascarad blue eyelids, and pencil thin eyebrows. Her head is cocked at a slight angle as she appears to be looking over her left shoulder. The white background of the sign contrasts with the faded gray and white boards upon which the sign has been nailed.

    90 Miles to Cuba

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    A sign in Key West reminds us of Cuba's close proximity to Florida.  So close, yet so far.
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  • Horizontal landscape photo of a sunset on Captiva Island, Florida. A dark golden sky at the horizon, visible on the upper third of the image, extends upward to a light gray after the sun has set. Wisps of gray and amber-colored clouds stretch across the middle of the sky. Bands of light and dark bluish-gray waves reflect the gold-colored sky in the lower 2/3 of the image. A young boy and girl, visible as dark silhouettes, play in the shallow waves breaking on the beach in the lower right third corner of the photo.

    Captiva Sunset

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    Children play in the surf, silhouetted by sunset at Alison Hagerup Beach on Captiva Island.  Captiva is a 40-minute drive from our home in Southwest Florida (if you don't mind the $6 causeway toll).  Image #3 of 3.
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  • Looking northwest from brick-paved First Street in downtown Fort Myers, the faint light of an early dawn glows blue at the vanishing point on the horizon, brightening the dark sky overhead. Electric wall sconces illuminate the 2nd story of the building visible on the right side of the image, shining columns of light up towards the roof which highlights and accents the horizontal cornice along the roofline. Streetlamps and 30-foot palms line the street—the palm trees silhouetted by dawn sky. The street is empty and quiet except for metal sidewalk street art of a man balancing on a unicycle on the right side of the image.

    Fort Myers Sunrise 1

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    Early morning sunrise on First Street in downtown Fort Myers. I wanted to capture the historic district of Fort Myers without the usual traffic and tourists. Shot was taken 5:00 a.m. on a Sunday morning.
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  • Looking northwest from the center of brick-paved First Street in downtown Fort Myers, the faint light of an early dawn glows blue at the vanishing point on the horizon, brightening the dark sky overhead. Streetlamps illuminate the 2-story building fronts while 30-foot palms lining the street are silhouetted by dawn on the horizon. The street is empty and quiet except for metal sidewalk street art of a man balancing on a unicycle.

    Fort Myers Sunrise 2

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    Early morning sunrise on First Street in downtown Fort Myers. I wanted to capture the historic district of Fort Myers without the usual traffic and tourists. Shot was taken 5:00 a.m. on a Sunday morning.
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  • Looking southwest and down the street from the center of brick-paved First Street in downtown Fort Myers, both curbs diminish toward the vanishing point almost 1-mile distant. Streetlamps in front of 30-foot palm trees line the avenue and illuminate Capone’s Coal Fired Pizza and Cabos Cantina in the foreground. The street is completely empty as the black sky overhead slowly fades to dawn. At the end of the street, and in the center of the photograph, High Point Place, a 33-story high-rise condominium, faintly catches early rays of the rising sun.

    Fort Myers Sunrise 3

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    Early morning sunrise on First Street in downtown Fort Myers. I wanted to capture the historic district of Fort Myers without the usual traffic and tourists. Shot was taken 5:00 a.m. on a Sunday morning.
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  • This landscape layout photo shows a street scene in Huatulco, Mexico. At the bottom of the image, we see the street, just above which there is a 9-inch curb and sidewalk. The back of the sidewalk intersects with an orange stucco wall at about 1/3 of the image height. A leafless tree trunk extends from the middle of the sidewalk up out of the top of the frame, branching into three smaller trunks in the upper third of the photo. On either side of the tree trunk two men lie asleep on their backs. They lie parallel to each other at an angle to the sidewalk: heads to the left, toros stretching to the curb where their knees bend above the edge, with their feet planted on the street. Street, curb, sidewalk, and tree are all a similar shade of gray. Yellow leaves have blown into the corner of the street and curb. A bright shaft of light spills down just behind the tree, highlighting the orange stucco wall. It’s a peaceful afternoon siesta in Huatulco.

    Huatulco Siesta

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    Walking around Huatulco, Mexico, one afternoon, I turned the corner to find two men taking a sidewalk siesta in the afternoon heat.  This was one of those photographer moments when panic struck: can I get the camera up, shutter speed set, lens focused, and get the shot off before they stirred?  Yes!  Was it all that time behind the lens that paid off?  Probably not.  They were really zonked out.  (Or maybe a little bit of both.)  This is one of my favorite images from Mexico.  Image made while cruising Mexico in our sailboat 2000.
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  • Horizontal landscape photo of a sunset at Naples Beach, Florida. The sun, visible as a bright pinpoint just left of center on the horizon, 1/5th from the bottom of the photo, burns through a micro strip of dark gray clouds just at the ocean’s edge. The setting sun casts a golden sheen across a black-teal almost waveless Gulf of Mexico. The underside of clouds stretching across the upper 2/3 of the photo glow a faint but deep yellow gold from the diminishing sun. Distinctive colorful shapes from many other smaller clouds—bright white, dark gray, and deep gold—explode across a dark blue sky just above the horizon, like puffs of smoke from exploding fireworks.

    Naples Beach Sunset, 2018

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    Golden sun on the horizon just at sunset on Naples Beach, Florida.  I made this image after Bekki and I had dinner in Naples.  The beach is a short walk down Fifth Avenue.
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  • This landscape photo, taken in the Guna Yala region of Panama, looks down into a dugout canoe at two Kuna children. The canoe slices the rectangular image at almost a 45-degree angle, from upper right to lower left. Sitting in the canoe, a sister and brother look up at the camera, curious but unsmiling. The eight-year-old sister steadies herself with her right hand on the starboard gunwale, her left arm around her younger brother, who is perhaps six years old. They both wear shorts and T-shirts, and their legs and knees are scuffed with dirt. She wears a light turquoise sleeveless T-shirt. Her brother wears a green T-shirt with a bright orange collar and orange sleeves down to his elbows. They wait for their father, who is selling us fruits and vegetables onboard our sailboat. The inside of the canoe has small puddles of water. At the top and bottom of the frame we see deep blue water of the Caribbean Ocean.

    San Blas Siblings

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    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  Brother and sister looked up and smiled from their dugout canoe as their father delivered fruits on the stern of our sailboat.  Image made while we were cruising the San Blas in our sailboat 2001.
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  • Horizontal photo of the Sunshine Skyway Bridge that spans the entrance to Tampa Bay between St. Petersburg to the north (left), and Terra Ceia to the south (right). The bridge’s distinctive cable-stayed supports rise like two gigantic sails 250-feet high over the 180-foot bridge height on the right two-thirds of the image. (Total height 430-feet.) The sky behind the bridge, in the upper two thirds of the image, ranges from a muted grayish mauve on the horizon to a dusty mustard yellow at the top of the frame. Waters in the foreground reflect the gray-mauve horizon. On the left side of the photo, the bridge diminishes in perspective to a small point on the horizon.

    Skyway Bridge

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    The Sunshine Skyway Bridge spans the southern tip of St. Petersburg, Florida, with Terra Ceia on the south side of Tampa Bay.  Here, I captured the cabled support systems of the bridge's sails with a backdrop of yellow-cast clouds after the sun had set.
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  • This landscape photo taken in Tikal, Guatemala, looks over the top of a jungle canopy in the lower 2/3s of the image, its colors ranging from bright lime to deep forest green. We look down on the archeological ruins of the Temple of Talud and Tablero in the lower left third of the image, and up to the Temple of the Double Headed Serpent in the upper right corner with its roof comb high above the treeline. A ridge of mountains can be seen on the horizon, several miles distant, with a blue cloudless sky above.

    Temple 33 and Temple of the Double Headed Serpent

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    An additional perspective on Temple IV (Temple of the Double Headed Serpent) in the background, with Temple 33 in the foreground.  Only the base of Temple 33 now remains.  I sat at my photo vantage point for 15-minutes, listening to the jungle and birds.  Taken while we were cruising Central America in our sailboat 2000-2001.
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  • Tikal, Guatemala. A zoom shot taken from a nearby pyramid shows the roof comb of Temple IV (Temple of the Double Headed Serpent)—at a height of 212-feet. The roof comb, which appears in the left third of the image, floats over lush green trees below it. A cloudless blue sky provides a colorful background. We see several people standing inside the doorway of the dark gray roof comb.

    Temple of the Double Headed Serpent 1

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    I love this shot of Tikal's Temple IV (Temple of the Double Headed Serpent) as it looks across the jungle on a level plane to the top of the structure, 212 feet from its base.  If you squint, you can almost imagine the torchlight ceremony in the doorway.  Taken while we were cruising Central America in our sailboat 2000-2001.
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  • Tikal, Guatemala. The Temple of the Giant Jaguar, fills the photo from the perspective of standing at ground level 200-feet distant, looking up 180-feet up the face of the steep pyramid to the high roof comb. Blue sky and white clouds provide a backdrop for the upper 2/3s of the temple, which is framed by green trees on both sides. Ten visitors walking along the base of the pyramid appear miniscule.

    Temple of the Great Jaguar

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    Tikal became the most powerful kingdom of the ancient Maya, and it is awe-inspiring.  When we visited in 2001 it was relatively devoid of visitors.  This shot of Temple I (Temple of the Great Jaguar) is taken from the back.  A line of visitors in the shadow provides perspective.  Taken while we were cruising Central America in our sailboat 2000-2001.
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  • A straight-on photo of Temple II (Temple of the Masks), in Tikal, Guatemala. A steep 34-foot wide stairway, which dominates the photo, starts at ground level in front and ascends to the upper third of the image. The stairs are flanked by three foundation levels, built in thirds, from larger at the bottom to smaller at the top. A large 43-foot high roof comb projects up from top platform. Two people sit inside the doorway of the roof comb, facing the stairs. The pyramid is framed by blue sky at the top, green grass at the bottom, and trees both left and right.

    Temple of the Masks 1

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    Tikal became the most powerful kingdom of the ancient Maya, and it is awe-inspiring.  This shot of Temple II (Temple of the Masks) is center-framed looking straight up the massive stairs that need to be climbed sideways due to their steepness.  Taken while we were cruising Central America in our sailboat 2000-2001.
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  • Tikal, Guatemala. Temple II (Temple of the Masks) fills the photo from the perspective of standing at ground level looking at the pyramid’s left-front corner. A long flight of steep stairs starts at the lower right of the image and climb at a 45-degree angle to the left in the center. The temple is framed by blue sky and white clouds at the top, green grass t ground level, and a few trees both left and right. Sun fills the temple face and stairs, as a lone figure in a red shirt scrambles up the steep steps.

    Temple of the Masks 2

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    Tikal became the most powerful kingdom of the ancient Maya, and it is awe-inspiring.  This shot of Temple II (Temple of the Masks) gives some perspective to the incredible design and construction required for Tikal's temples.  Taken while we were cruising Central America in our sailboat 2000-2001.
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  • A landscape photo shows a horizon of black silhouetted trees rising up from the horizon, about ¼ mile away. The photo is taken from a dark gray river, its waters seen at the bottom one fifth of the photo. On the left 1/3 of the image, just above the horizon, we see the San Miguel Volcano pushing into the sky, the top half of which is lit by the setting sun. Golden clouds cluster around the volcano’s peak. Behind the volcano we see a peach-colored sky, with gray clouds above, and light blue sky behind the gray clouds at the very top of the photo. The dark gray water of the river reflects peach and blue skylights.

    Volcan Chaparrastique

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    San Miguel volcano (also known as Volcan Chapparastique) is an active volcano about nine miles southwest of San Miguel, El Salvador.  Here, the setting sun begins to fade on the volcano's western face.  This image taken from the deck of Andante, our 42-foot sailboat, from the Lempa River while cruising Central America 2000-2001.
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