• Photograph of a sign taken in Key West, Florida. The sign reads “90 Miles to Cuba.” The illustration above the text portrays a Carmen Miranda-like Cuban woman’s head and face. She wears a fruit hat with green leaves and a large red and white bow on the front. The illustration depicts a woman with rosy red cheeks, full red lips, heavily mascarad blue eyelids, and pencil thin eyebrows. Her head is cocked at a slight angle as she appears to be looking over her left shoulder. The white background of the sign contrasts with the faded gray and white boards upon which the sign has been nailed.

    90 Miles to Cuba

    $822.00 – $2,832.00
    A sign in Key West reminds us of Cuba's close proximity to Florida.  So close, yet so far.
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  • A dark, landscape photo of a carousel at night in Acapulco, Mexico. This medium shot focuses on one of the carousel seats depicting a mermaid with long golden hair that falls down to her bare shoulders. We view her at a 45-degree angle as she stares wide-eyed to the right side of the image. She has a long but full face, dark red lips, large black heavily-mascarad eyes, and long pencil thin eyebrows. Both forearms bend forward at her elbows in a superwoman pose, as if she is flying over the ocean. Around and above her we see softly glowing white, green, blue, and red 3-inch round decorative lightbulbs underneath the canopy, creating a shine on her glazed head, shoulders, and torso. The deserted motionless carousel, which should be rotating with loud music and filled with smiling happy children, instead conveys a ghostly quiet stillness.

    Acapulco Carousel (1/3)

    $822.00 – $2,832.00
    Walking around Acapulco one evening (back when Acapulco was safe) I found a carousel with all the lights on—but no one around.  I checked my watch to ensure that I hadn't slipped into the Twilight Zone, and then shot away.  Image taken while cruising Mexico in our sailboat 2000.  #1 of a triptych.
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  • A dark, underexposed landscape photo of a carousel at night in Acapulco, Mexico. The full width of the motionless, empty carousel fills the frame horizontally, with black sky in the upper third of the image. Beneath the canopy, softly glowing white, green, blue, and red 3-inch round decorative lightbulbs cast a faint sheen onto the brass poles below, which thread dimly lit vacant horses hovering over the floor. The deserted carousel, which should be rotating with loud music and filled with smiling happy children, instead conveys a ghostly quiet stillness.

    Acapulco Carousel (2/3)

    $822.00 – $2,832.00
    Walking around Acapulco one evening (back when Acapulco was safe) I found a carousel with all the lights on—but no one around.  I checked my watch to ensure that I hadn't slipped into the Twilight Zone, and then shot away.  Taken while cruising Mexico in our sailboat 2000.  #2 of a triptych.
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  • A dark, landscape photo of a carousel at night in Acapulco, Mexico. This medium shot focuses on one of the carousel seats: A white horse with its golden mane fills the left 2/3s of the image. His bridle bites into his mouth, as he grimaces and flashes his teeth. Behind, but to the right and forward of the we horse, we see a Disney-like Pluto character. The bald dog’s bulbous red nose points upward. His open mouth, which is curved down at the back of his jaw, and capped by enormous upper teeth, gives him a grotesque, almost fearful expression—as if something is pursuing him. In the upper right corner of the photo, dimly lit green lightbulbs surround an out-of-focus clown portrait in an oval frame. The deserted motionless carousel, which should be rotating with loud music and filled with smiling happy children, instead conveys a ghostly quiet stillness.

    Acapulco Carousel (3/3)

    $822.00 – $2,832.00
    Walking around Acapulco one evening (back when Acapulco was safe) I found a carousel with all the lights on—but no one around.  I checked my watch to ensure that I hadn't slipped into the Twilight Zone, and then shot away.  Image taken while cruising Mexico in our sailboat, 2000.  #3 of a triptych.
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  • orizontal photo of the beach in the town of Capesterre on the island of Marie-Galante in the Caribbean. A strip of white sand, with shadowed splashes from the overhead palms, anchors the lower fifth of the image. Beyond the sand beach we see the light-turquoise Caribbean Sea—with a narrow strip of dark blue on the horizon where the waves break over distant coral reefs. From the beach, the camera looks upward following tall, skinny, wind-swept palms that lean in from both edges of the photo against a pure blue, cloudless sky in the upper two-thirds of the image. Rounded circles of palm fronds at the top of each palm tree hover in the sky like small bursts of green fireworks in the upper third of the image.

    Capesterre

    $822.00 – $2,832.00
    Capesterre is a sleepy village on the southwest coast of Marie-Galante—part of the French overseas region and the island of Guadeloupe.  Coral reefs that have formed in the Atlantic protect its port and beautiful beaches.  Image made while sailing with friends in the West Indies.
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  • Horizontal photo of four large, light blue ceramic urns, 18-inches at the center diameter, that appear to have been abandoned in the church of Saint John the Baptist, located in San Juan Bautista Coixtlahuaca, Mexico. The dusty urns lean against a stucco wall, askew, on a table along with several discarded candleholders and an old hanging chain light fixture with four dirty bare lightbulbs.

    Forgotten blue urns

    $822.00 – $2,832.00
    Three long-forgotten, dust-coated, blue ceramic urns sit abandoned on a dusty table in the organ loft of the church of Saint John the Baptist  in the village of San Juan Bautista Suchix Hahuca. Old wooden candlesticks lie strewn about the table. A still life image caught in time. Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico.  
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  • Horizontal photo of a white door with full-length blue shutters on either side in coastal town of Grand-Bourg on Marie-Galante Island in the Caribbean. Two full length panes of rippled glass divide the white door, which appears in the right side of the image. The long shutters on either side of the door are built with narrow planks of wood, framed with two Z-shaped supports that zig zag across the inside of the shutters. The Z-shaped pieces of wood cast deep shadows in the overhead sun. To the left of the door and its open shutters we see another set of blue shutters which are closed. The exterior wall has been painted a light beige.

    Grand-Bourg Blue Shutters

    $822.00 – $2,832.00
    Pastel blue shutters frame a white door with textured glass in the town of Grand-Bourg, on the island of Marie-Galante.  I often walk into these small towns with busy traffic and and run-down infrastructure thinking, "what am I going to shoot here?"  Finding shots like this is like a treasure hunt.  Image made while sailing with friends in the West Indies.
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  • Leaning Windward

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  Only the larger islands are inhabited.  Coconuts are harvested on the smaller islands.  A lone coconut palm leans to windward over white sand and turquoise water.  Taken while we were cruising Central America in our sailboat 2000-2001.
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  • Horizontal landscape photo looking south on the Naples Beach at sunset. Ripples of white sand, illuminated by the setting sun to the right, with rippled shadows on the left, fill the bottom half of the photo with pastel shades of beige, mauve, light gray, and amber. A solid, light gray cloud covers the top 1/3 of the image, underneath which cloud wisps wash across a light blue sky which blends with faint yellow and blue pastels of the ocean on the right side of the photo. A triangle of palm trees and green foliage, glowing from the setting (off-camera) sun, slices into the scene on the left 1/3 of the image. Small distant figures walk on the beach in the distance.

    Naples Beach Afternoon, 2018

    $822.00 – $2,832.00
    A wide stretch of white sand shaded pink in the setting sun at Naples Beach, Florida.  I took this image after Bekki and I had dinner in Naples.  Just walk Fifth Avenue west until you reach the Gulf.
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  • A landscape photo of a tropical island taken in the Guna Yala region of Panama. The upper left side of the image shows dark green palm trees leaning to the right over the beach and ocean. In the lower left we see several waterlogged logs that have drifted ashore onto the beige sand. The beach arcs away from the lens in a crescent, forming a light-teal colored bay in the center of the photo. Deeper shades of teal are seen on the right side of the photo as the shallow bay falls into the depths of the Caribbean Ocean. On the horizon we see a band of white clouds, with blue sky overhead.

    San Blas Islands (1/2)

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  We sailed the archipelago for a month, snorkeling and exploring nearby islands. Rebecca painted this image, which is now in our home.  Image made while we were cruising the San Blas in our sailboat 2001.
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  • A landscape photo of a tropical island taken in the Guna Yala region of Panama. The upper left side of the image consists of a light blue sky with a few puffy clouds in the distance. The Caribbean Ocean, in patches of light and dark teal, covers the lower left side of the image. In the upper right side we see deep green sunlit palm trees leaning left, over a light beige colored sand beach in the bottom center and lower right side.

    San Blas Islands (2/2)

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  We sailed the archipelago for a month, snorkeling and exploring nearby islands.  Image made while we were cruising the San Blas in our sailboat 2001.
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  • Shipwreck. This image is a medium landscape photo of a tiny island in the Guna Yala region of Panama. The island, covered in white sand, is about 50-feet long. A lone green palm tree with six palm fronds juts out of the sand 15-feet into the air. A woman sits on a bleached-out log to the left and slightly in front of the palm tree—her head buried into her arms which rest on her knees. Her medium-length blond hair covers her face. Several hundred yards in the distance we see a large container ship, listing to port, that has run aground onto a reef.

    Shipwrecked (1/3)

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  We sailed the archipelago for a month.  One day we found this little round little button of an island with white sand, one palm tree, and a grounded freighter in the background.  So we decided to do a 'shipwrecked' triptych.  Bekki donned a dress.  I rowed her to the island in our dinghy, and then rowed away to photograph.  That's trust!  Images made while we were cruising the San Blas in our sailboat 2001.
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  • Shipwrecked. This image is a landscape photo of a tiny island in the Guna Yala region of Panama. The island, covered in white sand, is about 50-feet long. Crystal clear trquoise-colored water surrounds the tiny island in front. Behind the island we see dark blue water of the Caribbean Ocean, and a light blue sky overhead. A lone green palm tree with six palm fronds juts out of the sand 15-feet into the air. A woman stands on a large driftwood log on the left edge of the island. She gazes through binoculars towards the left edge of the photo, searching for rescue.

    Shipwrecked (2/3)

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  We sailed the archipelago for a month.  One day we found this little round little button of an island with white sand, one palm tree, and a grounded freighter in the background.  So we decided to do a 'shipwrecked' triptych.  Bekki donned a dress.  I rowed her to the island in our dinghy, and then rowed away to photograph.  That's trust!  Images made while we were cruising the San Blas in our sailboat 2001.
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  • Deep blue sky frames the upper half of this vertical photo of The Baths in the British Virgin Islands. White cumulus clouds form a puffy strip across the middle of the photo, just above the horizon line. Sailboats at anchor from another stripe of white just below the clouds. Beige sand, damp from a receding wave, fills the foreground. Huge boulder stacks, on the left and right side of the photo, reach half-way up into the image, and 100-feet out into the water. Crystal clear rippled wavelets cover the beige sand in the middle of the photo, stretching out into turquoise waters of Devil’s Bay.

    The Baths (1/2)

    $822.00 – $2,832.00
    At 'The Baths,' located on the southern end of Virgin Gorda (which is part of the British Virgins) huge granite boulders lie on the beach creating natural grottoes which open to the sea.  Vertical image in a vertical / horizontal diptych.
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  • Deep blue sky frames the upper half of this horizontal landscape photo of The Baths in the British Virgin Islands. White cumulus clouds arc from the upper left, down across the horizon, and up again to the right. Beige sand fills the lower third of the image, while large boulders cascade from the left into the center. Crystal clear waters lap against the boulders and ripple out into the turquoise waters of Devil’s Bay. Families swim in the shallow waters on the right side of the photo. Ten or more sailboats drift at anchor on the horizon, several hundred feet in the distance.

    The Baths (2/2)

    $822.00 – $2,832.00
    At 'The Baths,' located on the southern end of Virgin Gorda (which is part of the British Virgins) huge granite boulders lie on the beach creating natural grottoes which open to the sea.  Horizontal image in a vertical / horizontal diptych.
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  • This vertical photograph, taken in the Guna Yala region of Panama shows, multiple bands of sand, water, and sky: from light beige of the sandy beach at the bottom, to a darker beige where water recedes back into the ocean, to a light teal of the waves as they first make contact with the sandy beach, to a dark teal 30-feet away, to a dark blue on the ocean’s horizon, to a sky blue with a few white puffy clouds above the horizon. On the right side of the image, a mile or more away, we see two tiny islands just above the horizon line.

    Tropical Tan to Teal

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  We sailed the archipelago for a month anchoring at various islands, snorkeling, and exploring.  I love this shot because of nature's tropical gradients from white sand to sky blue.  Taken while we were cruising Central America in our sailboat 2000-2001.
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  • Landscape photo of a pink brick walkway on Useppa Island, Florida. The walkway fills the lower left third of the image and disappears to the horizon, 1/3 from the bottom of the photo. A thick green canopy of deciduous trees extends to the top of the image which covers the walkway and reaches over the right 2/3s of the image. To the right of the walkway, underneath the shade of branches, a 30-foot strip of green foliage covers the ground in multiple shades of green. To the right of the foliage, we see a 50-foot strip of pure white sand illuminated by a bright sun, and then a deep blue water of Pine Island Sound which extends to the horizon. Blue sky can be seen through the trees across the upper 2/3s of the image. The walkway and beach are deserted.

    Useppa Walkway (1/4)

    $822.00 – $2,832.00
    This beautiful walkway along the beach can be found on Useppa Island—a little-known island located on the northern boundary of Pine Island Sound in Southwest Florida.  Rising seas, around 4500 BC, disconnected Useppa from the mainland.  Among other historical facts, the CIA used Useppa as its clandestine practice site for the failed Bay of Pigs invasion.  Image #1 of 4.
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  • A landscape (layout) photo of a wall of an abandoned building in Panama City, Panama. Three boarded up doorways on the second story each have their own wrought iron balcony. Underneath the three upper doors are three more doors on the ground floor. Teal colored stonework frames each of these doors on both sides and a keystone arch overhead. The ground level doors have wrought iron fences barring access. Paint on the beige-colored stucco wall cracks, flakes, and peals with age. The setting sun casts golden light on the upper 2/3s of the image, while the lower 1/3 is in a softer golden shadow.

    Wrought Iron Twilight

    $822.00 – $2,832.00
    Walking Panama City (Panama) one evening as the sun set, I came across this abandoned building just at golden hour, as the sun slipped below the horizon.  The combination of wrought iron railings and teal-colored tile arches formed an unusual color palette on the facade, with the decaying building behind it.  Shot while we were cruising Central America in our sailboat 2000-2001.
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