• North America, United States, New Mexico, Albuquerque. Shadows angle down from structural wood support beams onto an adobe stucco wall in Old Town, Albuquerque.

    Adobe Sunlight and Shadow

    $822.00 – $2,832.00
    Walking Old Town Albuquerque (a touristy attraction comprised mostly of trinket shops) I turned down a side alley to find this simple adobe wall with wooden support beams (technical term: vigas), casting long shadows at a 45-degree angle across the stucco canvas.  
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  • A tight vertical photo looking up from the base of the waterfall to the top of Amicalola Falls, at the Amicalola Falls State Park in Georgia. The camera angle looks upward to the height of the falls about 150-feet away. A ¼-second exposure blurs the water as it cascades down from the upper left-half of the image to the right half in the middle, filling the full camera frame at the bottom. Green foliage and slick black rock surfaces frame the tumbling waterfall around the falling water.

    Amicalola Falls

    $822.00 – $2,832.00
    We drove to Amicalola Falls State Park while visiting friends who rented a cabin in Ellijay, Georgia.  This vantage point of the 729-foot waterfall requires walking down 600-stairs to the base.  Going down is not the problem.
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  • Medium vertical photo standing on a wooden walkway that stretches out in front and across a small gully at the starting point of the Appalachian trail located at Amicalola Falls State Park, Georgia. Brown leaves cover the hillside, which slopes from the upper left to the lower right on either side of the bridge. three dark gray tree trunks are spaced equidistantly just beyond the walkway in the upper half of the image. Beyond these three trees several hundred small tree trunks cover the sloping hillside on the top third of the photo with a mosaic of spring green leaves. A light blue sky provides a backdrop to the thick canopy of green leaves.

    Appalachian Approach

    $822.00 – $2,832.00
    We drove to Amicalola Falls State Park while visiting friends who rented a cabin in Ellijay, Georgia.  This image was taken on the trail from the lodge up to the falls.  Here you will find the southern terminus of the 2,200 mile Appalachian Trail.
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  • Vertical photograph of a young Kuna woman in the Guna Yala region of Panama. The image focuses on her legs—spanning the bottom of her black and yellow patterned skirt, hemmed just above her knees, down to her feet. Her legs are tightly wrapped with yellow and terra cotta colored beads that form a geometric pattern on the calves of both legs. The colored lines change direction at right angles, similar to ancient Greek border patterns. She stands on compressed, matted green grass.

    Beaded Mosaic

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  The only way to truly experience the islands is by sailboat, and we sailed them for a month. Women wear mola blouses with patterned skirts, red and yellow head scarfs, and arm and leg beads.  This intricate geometric beaded pattern needed to be hand strung, bead-by-bead, to display correctly on her small legs.  Image made while we were cruising Central America in our sailboat 2000-2001.
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  • Horizontal photo of a 1940s vintage pickup truck that has been abandoned on the island of Maui, Hawaii. The photo was taken from the right side of the truck, with the front of the truck pointing to the image’s right. The truck’s bulbous rounded cab appears just large enough for two people. The right front tire has been removed underneath the fender. A rusted wheel sits directly on the ground. The truck’s patchy blue paint—light sky blue to a deep azure—makes the truck pop against the dark brown and green hillside in the background. Dark brown rust spots punctuate and accent the blue exterior. In the top right corner of the photo the cab of another abandoned truck, visible over the blue truck’s fender, faces the opposite direction—as if two lonely friends sit silently together.

    Blue Truck (1/3)

    $822.00 – $2,832.00
    During one of our many trips to Maui we rented a car and drove the back road to Hana, along Maui's north shore—including its 617 turns and 59 bridges over 52-miles of mostly dirt road.  Off of a side road I spotted a make-shift junk yard of abandoned trucks.  Need I say more?  Also see 'Graffiti Truck' for another series of images from this shoot.
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  • Vertical photo of a 1940s vintage pickup truck that has been abandoned on the island of Maui, Hawaii. The photo was taken from the left side of the truck, just behind the driver’s door. The front of the truck points to the image’s left. This is a tight shot of the driver’s door, cab, and left front fender. The truck’s hood has been removed. The driver’s side door has been spray painted a deep azure blue—which makes the truck stand out against the rusty brown cab roof. A shiny chrome door handle contrasts brightly against the blue door. Paint on the truck’s left front fender, the same deep azure blue, flakes away in large sheets, exposing the original light blue color underneath. A white flaking steering wheel can be seen through the driver’s window in the interior of the truck.

    Blue Truck (2/3)

    $822.00 – $2,832.00
    During one of our many trips to Maui we rented a car and drove the back road to Hana, along Maui's north shore—including its 617 turns and 59 bridges over 52-miles of mostly dirt road.  Off of a side road I spotted a make-shift junk yard of abandoned trucks.  Need I say more?  Also see 'Graffiti Truck' for another series of images from this shoot.
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  • Vertical photo of a steering wheel taken inside the cab of a 1940s vintage pickup truck that has been abandoned on the island of Maui, Hawaii. Protruding from the metal dashboard and supported by a small 2-inch diameter cylindrical post, the large white round wheel shows severe, deep cracks and flaking from age. In the upper right corner of the image the original thick glass windshield has broken in half vertically. Large rust spots pockmark the once white metal dashboard. Vines growing in from the open window entwine the interior of the cab, weaving through and around the steering wheel. Several of the vines are supple, fresh, and green; others dried and brown.

    Blue Truck (3/3)

    $822.00 – $2,832.00
    During one of our many trips to Maui we rented a car and drove the back road to Hana, along Maui's north shore—including its 617 turns and 59 bridges over 52-miles of mostly dirt road.  Off of a side road I spotted a make-shift junk yard of abandoned trucks.  Need I say more?  Also see 'Graffiti Truck' for another series of images from this shoot.
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  • orizontal photo of the beach in the town of Capesterre on the island of Marie-Galante in the Caribbean. A strip of white sand, with shadowed splashes from the overhead palms, anchors the lower fifth of the image. Beyond the sand beach we see the light-turquoise Caribbean Sea—with a narrow strip of dark blue on the horizon where the waves break over distant coral reefs. From the beach, the camera looks upward following tall, skinny, wind-swept palms that lean in from both edges of the photo against a pure blue, cloudless sky in the upper two-thirds of the image. Rounded circles of palm fronds at the top of each palm tree hover in the sky like small bursts of green fireworks in the upper third of the image.

    Capesterre

    $822.00 – $2,832.00
    Capesterre is a sleepy village on the southwest coast of Marie-Galante—part of the French overseas region and the island of Guadeloupe.  Coral reefs that have formed in the Atlantic protect its port and beautiful beaches.  Image made while sailing with friends in the West Indies.
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  • Horizontal landscape photo of a sunset on Captiva Island, Florida. A dark golden sky at the horizon, visible on the upper third of the image, extends upward to a light gray after the sun has set. Wisps of gray and amber-colored clouds stretch across the middle of the sky. Bands of light and dark bluish-gray waves reflect the gold-colored sky in the lower 2/3 of the image. A young boy and girl, visible as dark silhouettes, play in the shallow waves breaking on the beach in the lower right third corner of the photo.

    Captiva Sunset

    $822.00 – $2,832.00
    Children play in the surf, silhouetted by sunset at Alison Hagerup Beach on Captiva Island.  Captiva is a 40-minute drive from our home in Southwest Florida (if you don't mind the $6 causeway toll).  Image #3 of 3.
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  • Close-up landscape photo of a woman, perhaps in her fifties, selling white corn at a market in Chichicastenango, Guatemala. In the lower half of the photo she has laid out a sheet of black plastic onto the street, over which she has poured a mound of white corn kernels that form a pyramid in the lower third of the image. In the upper half of the photo we see a large empty burlap gunny sack, laying on the sidewalk, used to transport the corn. She sits adjacent to her corn, with both legs tucked underneath her knees. Her long black hair, which is pulled to the back of her neck, matches her black long-sleeve sweater. She wears a Guatemalan embroidered blouse with red, orange, yellow, and pink flowers, and a dark blue skirt. Her eyes sparkle as she smiles at the camera without parting her lips.

    Chichicastenango Maize

    $822.00 – $2,832.00
    Like all third-world countries, vendors find any available space to sell their wares.  This woman spread her corn on a Chichicastenango street.  While not as colorful as most of my other images, the white corn spread out on the street, and her sweet smile, compelled me to take the shot.  Transparency taken while we were cruising Central America in our sailboat 2000-2001.
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  • Looking northwest from brick-paved First Street in downtown Fort Myers, the faint light of an early dawn glows blue at the vanishing point on the horizon, brightening the dark sky overhead. Electric wall sconces illuminate the 2nd story of the building visible on the right side of the image, shining columns of light up towards the roof which highlights and accents the horizontal cornice along the roofline. Streetlamps and 30-foot palms line the street—the palm trees silhouetted by dawn sky. The street is empty and quiet except for metal sidewalk street art of a man balancing on a unicycle on the right side of the image.

    Fort Myers Sunrise 1

    $822.00 – $2,832.00
    Early morning sunrise on First Street in downtown Fort Myers. I wanted to capture the historic district of Fort Myers without the usual traffic and tourists. Shot was taken 5:00 a.m. on a Sunday morning.
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  • Looking northwest from the center of brick-paved First Street in downtown Fort Myers, the faint light of an early dawn glows blue at the vanishing point on the horizon, brightening the dark sky overhead. Streetlamps illuminate the 2-story building fronts while 30-foot palms lining the street are silhouetted by dawn on the horizon. The street is empty and quiet except for metal sidewalk street art of a man balancing on a unicycle.

    Fort Myers Sunrise 2

    $822.00 – $2,832.00
    Early morning sunrise on First Street in downtown Fort Myers. I wanted to capture the historic district of Fort Myers without the usual traffic and tourists. Shot was taken 5:00 a.m. on a Sunday morning.
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  • Looking southwest and down the street from the center of brick-paved First Street in downtown Fort Myers, both curbs diminish toward the vanishing point almost 1-mile distant. Streetlamps in front of 30-foot palm trees line the avenue and illuminate Capone’s Coal Fired Pizza and Cabos Cantina in the foreground. The street is completely empty as the black sky overhead slowly fades to dawn. At the end of the street, and in the center of the photograph, High Point Place, a 33-story high-rise condominium, faintly catches early rays of the rising sun.

    Fort Myers Sunrise 3

    $822.00 – $2,832.00
    Early morning sunrise on First Street in downtown Fort Myers. I wanted to capture the historic district of Fort Myers without the usual traffic and tourists. Shot was taken 5:00 a.m. on a Sunday morning.
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  • Horizontal photo of an abandoned 1950s truck on the island of Maui, Hawaii taken from the right front side of the vehicle, about 10-feet distant. The truck’s surface is covered with rust. Some would-be graffiti artist has spray painted various random designs on the front grill, hood, and cab—stars, circles, swirls, and stripes—with yellow, blue, green, and red paint. Both headlights are long gone, as are all the tires. Rocks have been thrown through the front window, which angles back slightly from a vertical center fold, leaving shards of broken glass around the edges.

    Graffiti Truck (1/2)

    $822.00 – $2,832.00
    During one of our many trips to Maui we rented a car and drove the back road to Hana, along Maui's north shore—including its 617 turns and 59 bridges over 52-miles of mostly dirt road.  Off of a side road I spotted a make-shift junk yard of abandoned trucks.  Need I say more?  Also see 'Blue Truck' for another series of images from this shoot.
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  • Horizontal photo of an abandoned 1950s truck on the island of Maui, Hawaii taken from the left front side of the vehicle, about 10-feet distant. The truck’s surface is covered with rust. Some would-be graffiti artist has spray painted various random designs on the front grill, hood, and cab—stars, circles, swirls, and stripes—with yellow, blue, green, and red paint. Both headlights are long gone. An old tire still clings to the rusted front wheel. Rocks have been thrown through the front window, which angles back slightly from a vertical center divider, leaving shards of broken glass around the edges. The driver’s door is ajar.

    Graffiti Truck (2/2)

    $822.00 – $2,832.00
    During one of our many trips to Maui we rented a car and drove the back road to Hana, along Maui's north shore—including its 617 turns, 59 bridges, and over 52-miles of mostly dirt road. Off of a side road I spotted a make-shift junk yard of abandoned trucks.  Need I say more?  Also see 'Blue Truck' for another series of images from this shoot.
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  • This landscape layout photo shows a street scene in Huatulco, Mexico. At the bottom of the image, we see the street, just above which there is a 9-inch curb and sidewalk. The back of the sidewalk intersects with an orange stucco wall at about 1/3 of the image height. A leafless tree trunk extends from the middle of the sidewalk up out of the top of the frame, branching into three smaller trunks in the upper third of the photo. On either side of the tree trunk two men lie asleep on their backs. They lie parallel to each other at an angle to the sidewalk: heads to the left, toros stretching to the curb where their knees bend above the edge, with their feet planted on the street. Street, curb, sidewalk, and tree are all a similar shade of gray. Yellow leaves have blown into the corner of the street and curb. A bright shaft of light spills down just behind the tree, highlighting the orange stucco wall. It’s a peaceful afternoon siesta in Huatulco.

    Huatulco Siesta

    $822.00 – $2,832.00
    Walking around Huatulco, Mexico, one afternoon, I turned the corner to find two men taking a sidewalk siesta in the afternoon heat.  This was one of those photographer moments when panic struck: can I get the camera up, shutter speed set, lens focused, and get the shot off before they stirred?  Yes!  Was it all that time behind the lens that paid off?  Probably not.  They were really zonked out.  (Or maybe a little bit of both.)  This is one of my favorite images from Mexico.  Image made while cruising Mexico in our sailboat 2000.
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  • Inn and Spa at Loretto, Santa Fe

    Inn at Loretto Adobe Geometry

    $822.00 – $2,832.00
    The Inn and Spa at Loretto is located on the Old Santa Fe Trail, just southeast of downtown Santa Fe. The hotel's abstract geometric adobe block architecture, punctuated with brown metal gutters that look like wooden support beams jutting out from the walls; and the shadows from the morning sun, caught my attention.  
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  • Leaning Windward

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  Only the larger islands are inhabited.  Coconuts are harvested on the smaller islands.  A lone coconut palm leans to windward over white sand and turquoise water.  Taken while we were cruising Central America in our sailboat 2000-2001.
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  • Horizontal landscape scene on the island of Maui, Hawaii. Taken from the top of a hill, the photo provides a sweeping view of pineapple fields in the foreground and the island of Molokai on the distant horizon. Five distinct horizontal bands stripe across the image. Deep green pineapple fields, interlaced with terracotta colored access roads, comprise the lower third of the photo. Six tall palm trees form a tight cluster on the edge of the fields in the left third of the image half a mile away. Above the pineapple fields the blue Pacific Ocean, freckled by occasional tiny whitecaps, forms the straits between Maui and Molokai. In the upper third of the image, Molokai’s bluish-gray mountains—the world’s highest sea cliffs—rise from the ocean to reach an altitude of over 3,000 feet. Thick white cumulous clouds hover at the crest of the mountain ridgeline. Light blue sky forms the final band of color at the top of the photo.

    Maui Pineapple Fields Forever

    $822.00 – $2,832.00
    Pineapple cultivation used to be one of the largest industries on Maui.  However, many pineapple businesses closed in the 2000s.  Although there has been a resurgence in pineapple farming with hybrid grafting techniques, scenes like this one from 2000 have largely disappeared.
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  • Horizontal landscape photo looking south on the Naples Beach at sunset. Ripples of white sand, illuminated by the setting sun to the right, with rippled shadows on the left, fill the bottom half of the photo with pastel shades of beige, mauve, light gray, and amber. A solid, light gray cloud covers the top 1/3 of the image, underneath which cloud wisps wash across a light blue sky which blends with faint yellow and blue pastels of the ocean on the right side of the photo. A triangle of palm trees and green foliage, glowing from the setting (off-camera) sun, slices into the scene on the left 1/3 of the image. Small distant figures walk on the beach in the distance.

    Naples Beach Afternoon, 2018

    $822.00 – $2,832.00
    A wide stretch of white sand shaded pink in the setting sun at Naples Beach, Florida.  I took this image after Bekki and I had dinner in Naples.  Just walk Fifth Avenue west until you reach the Gulf.
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  • Horizontal landscape photo of a sunset at Naples Beach, Florida. The sun, visible as a bright pinpoint just left of center on the horizon, 1/5th from the bottom of the photo, burns through a micro strip of dark gray clouds just at the ocean’s edge. The setting sun casts a golden sheen across a black-teal almost waveless Gulf of Mexico. The underside of clouds stretching across the upper 2/3 of the photo glow a faint but deep yellow gold from the diminishing sun. Distinctive colorful shapes from many other smaller clouds—bright white, dark gray, and deep gold—explode across a dark blue sky just above the horizon, like puffs of smoke from exploding fireworks.

    Naples Beach Sunset, 2018

    $822.00 – $2,832.00
    Golden sun on the horizon just at sunset on Naples Beach, Florida.  I made this image after Bekki and I had dinner in Naples.  The beach is a short walk down Fifth Avenue.
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  • A horizontal drone photo on Ocean Drive in Miami’s South Beach at night. Taken from 30-feet in the air, the image looks directly at the Mc Alpin and Ocean Plaza Hotels from the park across the street. Bands of bright blue lights illuminate the facades of both buildings, in between layers of windows on each of the three levels. Palm frond silhouettes frame the left and right foreground of the image. A pale lavender-gray sky fades to twilight behind the buildings. Car headlights and taillights streak by horizontally on Ocean Drive, captured by the long shutter.

    Ocean Drive at night – Ocean Plaza

    $822.00 – $2,832.00
    Elaborate lighting systems illuminate South Beach's Ocean Drive at night. This is one of a series of drone shots which required three separate trips to South Beach.  The shots were technically difficult because of pedestrians, vehicles, and stiff breezes off of the Atlantic Ocean.  This shot is of the McAlpin and Ocean Plaza Hotels.
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  • A BRIGHT RED torch ginger bloom fills the center of this vertical image, surrounded by dark green foliage.

    On Fire

    $822.00 – $2,832.00
    Red Ginger growing in Costa Rica.  Transparency taken 2000-2001 while we were cruising Central America in our sailboat.
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  • Side view of the Sydney Opera House in front of a cloudless blue sky, showing all of its white concrete sail-shaped roof sections. Image taken from a boat on Sydney Harbor. Sydney, Australia.

    Opera Sails (1/3)

    $822.00 – $2,832.00
    The Sydney Opera House series are from transparencies shot with a Leicaflex in the 1980s.  Part of a triptych, this profile of the opera house provides context for the closer shots of the roof sails.
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  • Bright blue sky frames the upper 2/3s of this landscape image. In the lower 1/3 of the image we see blue-green water from the Gulf of Mexico to the left; and a sandy beach to the right. Wave action has dampened the sand at the bottom of the image and to the right further up the beach. 60 feet away 20 Hobie 16 catamaran sailboats are lined up down the beach ready to launch for a race. Every sailboat has the same bright orange mainsail with a white palm tree and darker orange sunset on top of a 3-foot white strip along the bottom of the sail. The masts diminish down to the horizon line. The damp sand between the camera and the sailboats reflects the blue sky and orange sails.

    Orange Sails Blue Horizon

    $822.00 – $2,832.00
    The 22nd Hobie 16 World race was held on Captiva Island, Florida, on November, 2019. Hobie Cats line the beach between races. This image forms a color wheel clockwise from the white sand to the green waves, teal-colored ocean, blue sky, around to the orange and white sails.
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  • A vertical portrait of a mother and daughter on the island of St. Martin in the Caribbean. Mother and daughter fill most of the frame, except for a huge white cloud that extends from the mother’s shoulders to the top of the image—apart from blue sky in the upper left and right corners of the photo. The mother, in her twenties, wears a gold sleeveless tank top and a gold necklace with a heart-shaped pendant, which contrasts brightly against her dark skin. She smiles broadly as she faces the camera. Her hands braid her daughter’s hair, who sits in front of and below her. The daughter, who also looks directly at the camera, scrunches up her eyes, nose, and mouth—reacting to mom who is pulling her hair into tight braids.

    Reluctant Braids

    $822.00 – $2,832.00
    On the island of Saint Martin, near the public markets, I came across a mother braiding her daughter's hair.  As you can see, daughter wasn't too happy about it.
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  • Horizontal landscape of the backcountry road to Hana on the island of Maui, Hawaii. We look down an empty, deep lavender gray, two-lane country road which extends across the bottom left side of the image. The road curves to the right around a bend several hundred feet away in the center. Dark blue mountains, tinted purple, cut across the horizon—their ridgelines reach up into heavy gray overcast clouds. The mountains dip down slightly where the road turns around the bend, forming a wide V-shaped skyline. Tall pale mint-colored grass meadows line both sides of the road. On the right side of the photo, a steep hill, covered in multiple shades of pastel green grass, climbs up from the road into the cloudy sky. Several deciduous trees have grown through the thick grass carpet. The scene is one of quiet solitude awash in soft grey, green, and purplish-blue hues.

    Road to Hana

    $822.00 – $2,832.00
    During one of our many trips to Maui we rented a car and drove the back road to Hana, along Maui's north shore—including its 617 turns, 59 bridges, and over 52-miles of mostly dirt road.  This pastoral scene from the Hana Highway depicts Maui's serene landscapes. I love the quiet pastel mood of this photo.
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  • Horizontal landscape photo taken from the cockpit of a 43-foot sloop sailing off the coast of Dominica in the West Indies. We look over the yacht’s port side, at a 45-degree angle, across the 2-foot teak deck, underneath two chrome stanchions which form an inverted V-shape, past the winch to the blue ocean and verdant green coastline of Dominica. Blue sky dotted by white cumulous clouds appears in the upper third of the image. In the shadows of the hard dodger, a woman gazes out over this tropical scene as the sailboat slices through the Caribbean sea under full sail.

    Sailing Dominica

    $822.00 – $2,832.00
    We had the opportunity to sail the West Indies with friends during the spring of 2019.  This view looks to the island of Dominica under full sail from the cockpit of a Hallberg-Rassy 43.
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  • This portrait landscape photo is taken from the ridge of a steep mountainside on the island of St. Lucia in the Caribbean. A stone wall on the left side of the image, which is perpendicular to the camera, follows a two-track road, just below it, off into the distance. Bright green grass in the middle and on both sides of the two-track, provides a series of stripes in the foreground. The mountainside disappears down to the right through palm trees and jungle foliage. About half a mile away another mountain peaks in front of a bright blue sky. In addition to the blue sky and gray stone wall, there are 100 different shades of green throughout the photo, ranging from grass green to dark teal on the distant mountain, which is partially darkened by an overhead cloud.

    Saint Lucia Mountain Road

    $822.00 – $2,832.00
    A mountain road on the island of Saint Lucia, part of the Lesser Antilles.  Nothing exceptional about the location—there are millions of similar views throughout the Caribbean.  I just really liked all of the different verdant shades of green; and the composition, with the stone wall and two-track road leading off to the mountain.
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  • This landscape photo, from the Guna Yala region of Panama, is taken from the perspective of standing on an island beach. In the lower 1/5 of the image we see a small flat wave receding from a dark mauve colored sand. The edge of the water ripples and foams as it pulls away from the beach. Above the receding wave, up to the horizon line in the middle of the photo, various shades of teal-colored water wrinkle from a soft breeze. In the middle of the photo, about 150-feet away, we see a ketch at anchor, its bow facing left into the wind. The setting sun, which is off camera to the right, illuminates the port side of the yacht in a soft golden light. Directly behind the sailboat, and perhaps another 100-feet distant, a small island with dark palm trees provides a backdrop to the bow, stern, and top of the glowing sailboat. A blue sky peeks through many clouds in the top half of the image. Clouds on the right side of the photo are also illuminated by the setting sun, which accents the blue sky with shades of gold, yellow, gray, and lavender.

    San Blas Anchorage

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  The only way to truly experience the islands is by sailboat, and we sailed them for a month. Walking the beach on one of these many islands, I looked up to see this ketch gently illuminated by the setting sun.  Shot while cruising the San Blas in our sailboat 2001.
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  • A landscape photo of a tropical island taken in the Guna Yala region of Panama. The upper left side of the image shows dark green palm trees leaning to the right over the beach and ocean. In the lower left we see several waterlogged logs that have drifted ashore onto the beige sand. The beach arcs away from the lens in a crescent, forming a light-teal colored bay in the center of the photo. Deeper shades of teal are seen on the right side of the photo as the shallow bay falls into the depths of the Caribbean Ocean. On the horizon we see a band of white clouds, with blue sky overhead.

    San Blas Islands (1/2)

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  We sailed the archipelago for a month, snorkeling and exploring nearby islands. Rebecca painted this image, which is now in our home.  Image made while we were cruising the San Blas in our sailboat 2001.
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  • A landscape photo of a tropical island taken in the Guna Yala region of Panama. The upper left side of the image consists of a light blue sky with a few puffy clouds in the distance. The Caribbean Ocean, in patches of light and dark teal, covers the lower left side of the image. In the upper right side we see deep green sunlit palm trees leaning left, over a light beige colored sand beach in the bottom center and lower right side.

    San Blas Islands (2/2)

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  We sailed the archipelago for a month, snorkeling and exploring nearby islands.  Image made while we were cruising the San Blas in our sailboat 2001.
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  • This landscape portrait of a chef in San Salvador, El Salvador, shows him in a double-breasted, white chef’s uniform. He is a young, handsome El Salvadoran man in his late twenties. He faces the camera directly. In the bottom of the frame, we see his torso just above his elbows. His right shoulder is positioned just below center in the image. He leans to his left, such that his face is in the right 1/3 of the frame. He wears a 2-foot-high white chef’s hat that leans upward and to the right at a 25-degree angle. Dark green tropical foliage blurs in the background on the left side and right edge of the photo, making his white uniform and conspicuously tall hat pop in the foreground.

    San Salvador Chef

    $822.00 – $2,832.00
    I don't remember the name of the restaurant in San Salvador (El Salvador) where I met this chef, but I had to take a shot of him and his chef's hat.  As you can see, his chef's hat takes half the vertical space of the frame.  Found this wonderful background of foliage in the back parking lot.  Image taken while cruising Central America in our sailboat 2000-2001.
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  • Shipwreck. This image is a medium landscape photo of a tiny island in the Guna Yala region of Panama. The island, covered in white sand, is about 50-feet long. A lone green palm tree with six palm fronds juts out of the sand 15-feet into the air. A woman sits on a bleached-out log to the left and slightly in front of the palm tree—her head buried into her arms which rest on her knees. Her medium-length blond hair covers her face. Several hundred yards in the distance we see a large container ship, listing to port, that has run aground onto a reef.

    Shipwrecked (1/3)

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  We sailed the archipelago for a month.  One day we found this little round little button of an island with white sand, one palm tree, and a grounded freighter in the background.  So we decided to do a 'shipwrecked' triptych.  Bekki donned a dress.  I rowed her to the island in our dinghy, and then rowed away to photograph.  That's trust!  Images made while we were cruising the San Blas in our sailboat 2001.
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  • Shipwrecked. This image is a landscape photo of a tiny island in the Guna Yala region of Panama. The island, covered in white sand, is about 50-feet long. Crystal clear trquoise-colored water surrounds the tiny island in front. Behind the island we see dark blue water of the Caribbean Ocean, and a light blue sky overhead. A lone green palm tree with six palm fronds juts out of the sand 15-feet into the air. A woman stands on a large driftwood log on the left edge of the island. She gazes through binoculars towards the left edge of the photo, searching for rescue.

    Shipwrecked (2/3)

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  We sailed the archipelago for a month.  One day we found this little round little button of an island with white sand, one palm tree, and a grounded freighter in the background.  So we decided to do a 'shipwrecked' triptych.  Bekki donned a dress.  I rowed her to the island in our dinghy, and then rowed away to photograph.  That's trust!  Images made while we were cruising the San Blas in our sailboat 2001.
    Select options This product has multiple variants. The options may be chosen on the product page Details
  • Shipwrecked. This image is a landscape photo of a tiny island in the Guna Yala region of Panama. We see a medium close-up of a woman standing on a large driftwood log in the center of the frame. She gazes through binoculars towards the left edge of the photo, searching for rescue. A stiff wind blows her medium-length blond hair off of her face. The sun-bleached driftwood log that she stands on is surrounded by white sand, but the ocean is only a few feet away. Beyond the island a dark blue Caribbean Sea churns over nearby coral reefs, while the blue sky darkens behind her.

    Shipwrecked (3/3)

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  We sailed the archipelago for a month.  One day we found this little round little button of an island with white sand, one palm tree, and a grounded freighter in the background.  So we decided to do a 'shipwrecked' triptych.  Bekki donned a dress.  I rowed her to the island in our dinghy, and then rowed away to photograph.  That's trust!  Images made while we were cruising the San Blas in our sailboat 2001.
    Select options This product has multiple variants. The options may be chosen on the product page Details
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