• A tight vertical photo looking up from the base of the waterfall to the top of Amicalola Falls, at the Amicalola Falls State Park in Georgia. The camera angle looks upward to the height of the falls about 150-feet away. A ¼-second exposure blurs the water as it cascades down from the upper left-half of the image to the right half in the middle, filling the full camera frame at the bottom. Green foliage and slick black rock surfaces frame the tumbling waterfall around the falling water.

    Amicalola Falls

    $822.00 – $2,832.00
    We drove to Amicalola Falls State Park while visiting friends who rented a cabin in Ellijay, Georgia.  This vantage point of the 729-foot waterfall requires walking down 600-stairs to the base.  Going down is not the problem.
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  • Medium vertical photo standing on a wooden walkway that stretches out in front and across a small gully at the starting point of the Appalachian trail located at Amicalola Falls State Park, Georgia. Brown leaves cover the hillside, which slopes from the upper left to the lower right on either side of the bridge. three dark gray tree trunks are spaced equidistantly just beyond the walkway in the upper half of the image. Beyond these three trees several hundred small tree trunks cover the sloping hillside on the top third of the photo with a mosaic of spring green leaves. A light blue sky provides a backdrop to the thick canopy of green leaves.

    Appalachian Approach

    $822.00 – $2,832.00
    We drove to Amicalola Falls State Park while visiting friends who rented a cabin in Ellijay, Georgia.  This image was taken on the trail from the lodge up to the falls.  Here you will find the southern terminus of the 2,200 mile Appalachian Trail.
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  • Vertical photograph of a young Kuna woman in the Guna Yala region of Panama. The image focuses on her legs—spanning the bottom of her black and yellow patterned skirt, hemmed just above her knees, down to her feet. Her legs are tightly wrapped with yellow and terra cotta colored beads that form a geometric pattern on the calves of both legs. The colored lines change direction at right angles, similar to ancient Greek border patterns. She stands on compressed, matted green grass.

    Beaded Mosaic

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  The only way to truly experience the islands is by sailboat, and we sailed them for a month. Women wear mola blouses with patterned skirts, red and yellow head scarfs, and arm and leg beads.  This intricate geometric beaded pattern needed to be hand strung, bead-by-bead, to display correctly on her small legs.  Image made while we were cruising Central America in our sailboat 2000-2001.
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  • A 3-foot wide, shallow basket, made of out thick twigs, shows off 100 or more colorful Mexican peppers that fill the screen with green, yellow, orange, and bright red. Two small, white plastic bowls sit atop the stack of peppers with additional peppers arranged into a design like an opening flower—some leaning over the side of the bowl, and some pointing upwards.

    Benito Juarez Market Peppers

    $822.00 – $2,832.00
    Close up of a basket of red and green peppers for sale at the Benito Juarez market in Oaxaca, Mexico. This 3-foot wide basket of peppers completely covered the spectrum from green, yellow, orange, and bright red. Bekki and I traveled to Oaxaca, Mexico, February of 2020 with my sister and brother-in-law who organize cultural trips to Central America and Mexico. While the Benito Juarez Market isn't the only market in Oaxaca, it's a large and vibrant one with over 360 vendors selling ... everything.  
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  • Vertical photo of a 1940s vintage pickup truck that has been abandoned on the island of Maui, Hawaii. The photo was taken from the left side of the truck, just behind the driver’s door. The front of the truck points to the image’s left. This is a tight shot of the driver’s door, cab, and left front fender. The truck’s hood has been removed. The driver’s side door has been spray painted a deep azure blue—which makes the truck stand out against the rusty brown cab roof. A shiny chrome door handle contrasts brightly against the blue door. Paint on the truck’s left front fender, the same deep azure blue, flakes away in large sheets, exposing the original light blue color underneath. A white flaking steering wheel can be seen through the driver’s window in the interior of the truck.

    Blue Truck (2/3)

    $822.00 – $2,832.00
    During one of our many trips to Maui we rented a car and drove the back road to Hana, along Maui's north shore—including its 617 turns and 59 bridges over 52-miles of mostly dirt road.  Off of a side road I spotted a make-shift junk yard of abandoned trucks.  Need I say more?  Also see 'Graffiti Truck' for another series of images from this shoot.
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  • Vertical photo of a steering wheel taken inside the cab of a 1940s vintage pickup truck that has been abandoned on the island of Maui, Hawaii. Protruding from the metal dashboard and supported by a small 2-inch diameter cylindrical post, the large white round wheel shows severe, deep cracks and flaking from age. In the upper right corner of the image the original thick glass windshield has broken in half vertically. Large rust spots pockmark the once white metal dashboard. Vines growing in from the open window entwine the interior of the cab, weaving through and around the steering wheel. Several of the vines are supple, fresh, and green; others dried and brown.

    Blue Truck (3/3)

    $822.00 – $2,832.00
    During one of our many trips to Maui we rented a car and drove the back road to Hana, along Maui's north shore—including its 617 turns and 59 bridges over 52-miles of mostly dirt road.  Off of a side road I spotted a make-shift junk yard of abandoned trucks.  Need I say more?  Also see 'Graffiti Truck' for another series of images from this shoot.
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  • orizontal photo of the beach in the town of Capesterre on the island of Marie-Galante in the Caribbean. A strip of white sand, with shadowed splashes from the overhead palms, anchors the lower fifth of the image. Beyond the sand beach we see the light-turquoise Caribbean Sea—with a narrow strip of dark blue on the horizon where the waves break over distant coral reefs. From the beach, the camera looks upward following tall, skinny, wind-swept palms that lean in from both edges of the photo against a pure blue, cloudless sky in the upper two-thirds of the image. Rounded circles of palm fronds at the top of each palm tree hover in the sky like small bursts of green fireworks in the upper third of the image.

    Capesterre

    $822.00 – $2,832.00
    Capesterre is a sleepy village on the southwest coast of Marie-Galante—part of the French overseas region and the island of Guadeloupe.  Coral reefs that have formed in the Atlantic protect its port and beautiful beaches.  Image made while sailing with friends in the West Indies.
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  • Horizontal photo of an artist’s mural painted on the side of a building in the town of Grand-Bourg on the island of Marie-Galante. The mural is a portrait of a black man who appears to look directly at the camera’s lens. He squints into the direct sun, lips drawn tightly, giving the appearance of a mild grimace. White hair, white eyebrows, and white beard stubble frame his long face underneath a reddish-brown straw hat which is folded up above his forehead. His leading right shoulder dips forward slightly. An open shirt, with large light blue and white vertical stripes, opens to his black-skinned chest. Multiple colors of green: pastel teal, lime, mint, olive, and pine, surround his head and shoulders. A metal door comprises most of the building wall. Hinges, strips of metal brackets, and rivets define the mural’s background texture. At the top of the photo weathered 2x4s and a rusted corrugated roof protrude above the top of the building.

    Grand-Bourg Mural (1/2)

    $822.00 – $2,832.00
    The town of Grand-Bourg on the island of Marie-Galante, which is part of Guadeloupe, showcases some amazing murals that most visitors don't even notice.  Painted on walls and buildings, framed by rusty roofs and chained link fences, I admit these murals can be somewhat camouflaged by the village.  Artist unknown.  Part of a diptych. Shot while sailing with friends in the West Indies.
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  • Horizontal photo of an artist’s mural painted on the side of a building in the town of Grand-Bourg on the island of Marie-Galante. The mural is a stylized portrait of a man’s long, slender, triangular face. His forehead just above the eyebrows, and bottom of his chin, extend off the top and bottom of the image, forming a tight composition. The artist has rendered the face in shades of light blue with dark shadows of deep black over a light gray concrete background. Patches of concrete show through underneath painted elements of the face’s mottled montage. The subject’s full, closed lips—painted in black on the top lip; and blue on the bottom—center a narrow black jaw and chin that tapers off the bottom edge. Large round light green, mustard yellow, and white eyes, with jet black pupils, stare penetratingly forward over a long thin nose. Green, blue, yellow swirls and splashes of graffiti-styled paint and gray concrete surround the face, which is outlined in a thin white line, making it appear to hover over the background.

    Grand-Bourg Mural (2/2)

    $822.00 – $2,832.00
    The town of Grand-Bourg on the island of Marie-Galante, which is part of Guadeloupe, showcases some amazing murals that most visitors don't even notice.  Painted on walls and buildings, framed by rusty roofs and chained link fences, I admit these murals can be somewhat camouflaged by the village.  Artist unknown.  Part of a diptych. Shot while sailing with friends in the West Indies.
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  • Horizontal photo of a fishnet lying on a dock in the coastal town of Grand-Bourg on Marie-Galante Island in the Caribbean. In this close-up photo, we see a shimmery, teal-colored plastic fishnet jumbled into a heap. A green, white, turquoise, teal, and copper-colored rope threads small orange Styrofoam-colored floats. The line snakes over, under, and throughout the dark teal mesh net.

    Guadeloupe Fish Nets

    $822.00 – $2,832.00
    Fishing nets laying on the jetty at the Grand-Bourg marina on the island of Marie-Galante.  Image made while sailing with friends in the West Indies.
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  • A landscape photo of green plastic fishnet crumpled into a pile on the beach in Huatulco, Mexico. The green fishnet, a twisted jumble of netting ranging in color from a dark teal to a light forest green, fills the image. On the left third of the photo, two yellow buoys—the size of large softballs—nestle against each other just underneath the fishnet. A ¼-inch yellow plastic twisted line threads through the buoys, swirling and looping around the image, in and out of the green fishnet.

    Huatulco Fish Nets (1/2)

    $822.00 – $2,832.00
    Fishing nets piled onto a beach in the town of Huatulco, Mexico on the Pacific Ocean.  Image #1 of 2.  Taken while cruising Mexico in our sailboat 2000.
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  • A landscape photo of green plastic fishnet crumpled into a pile on the beach in Huatulco, Mexico. The green fishnet, a twisted jumble of netting ranging in color from a dark teal to a light forest green, fills the image. A ¼-inch yellow plastic twisted line swirls and loops around the image, in and out of the green fishnet.

    Huatulco Fish Nets (2/2)

    $822.00 – $2,832.00
    Fishing nets piled onto a beach in the town of Huatulco, Mexico on the Pacific Ocean.  Image #2 of 2.  Taken while cruising Mexico in our sailboat 2000.
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  • This vertical (layout) photo shows a Kuna Yala woman in the Guna Yala region of Panama. Sitting in the bow of an old dugout canoe she faces astern, from where the photo was taken. Her red scarf covers black hair as she stares intently at the camera with an expressionless face. She wears a green blouse with Kuna molas wrapping her waist, and a dark blue skirt imprinted with detailed yellow patterned designs. Both hands hold an old cracked wooden paddle which hangs over the side of the boat. Her legs, wrapped with purple and yellow beads, stretch bare feet forward toward the camera. Blue sky and ocean comprise the background, with a small flat island off in the distance on the right side of the image.

    Kuna Canoe Guest

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  The only way to truly experience the islands is by sailboat, and we sailed them for a month.  They sell fruit, vegetables, and handmade mola textiles to the cruisers.  Women wear mola blouses with patterned skirts, red and yellow head scarfs, arm and leg beads, long black lines down the nose, and often a gold nose ring.  Taken while we were cruising Central America in our sailboat 2000-2001.
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  • Leaning Windward

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  Only the larger islands are inhabited.  Coconuts are harvested on the smaller islands.  A lone coconut palm leans to windward over white sand and turquoise water.  Taken while we were cruising Central America in our sailboat 2000-2001.
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  • Horizontal landscape scene on the island of Maui, Hawaii. Taken from the top of a hill, the photo provides a sweeping view of pineapple fields in the foreground and the island of Molokai on the distant horizon. Five distinct horizontal bands stripe across the image. Deep green pineapple fields, interlaced with terracotta colored access roads, comprise the lower third of the photo. Six tall palm trees form a tight cluster on the edge of the fields in the left third of the image half a mile away. Above the pineapple fields the blue Pacific Ocean, freckled by occasional tiny whitecaps, forms the straits between Maui and Molokai. In the upper third of the image, Molokai’s bluish-gray mountains—the world’s highest sea cliffs—rise from the ocean to reach an altitude of over 3,000 feet. Thick white cumulous clouds hover at the crest of the mountain ridgeline. Light blue sky forms the final band of color at the top of the photo.

    Maui Pineapple Fields Forever

    $822.00 – $2,832.00
    Pineapple cultivation used to be one of the largest industries on Maui.  However, many pineapple businesses closed in the 2000s.  Although there has been a resurgence in pineapple farming with hybrid grafting techniques, scenes like this one from 2000 have largely disappeared.
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  • Close-up landscape photo head and shoulder portrait of a Guatemalan shaman on a mountainside in Chichicastenango. He is centered in the shot, with blurred dark green trees in the background on the left and right third of the image. The light is soft and diffuse. His shirt prominently displays a 1-inch diagonal checkered print with an unusual combination of colors: black, white, and light coral. He wears an embroidered red headscarf, with accents of yellow and purple, tied at the back of his neck. He smiles broadly at the camera, showing off two silver capped upper teeth.

    Mayan Shaman (2/2)

    $822.00 – $2,832.00
    While exploring Chicicastenango someone in the village informed us of a shaman couple that were performing a Mayan ceremony up on the hill.  Following a nearby trail, we found this husband and wife, and they allowed me to photograph them.  When I motioned to the husband to 'smile,' he lit up.  Husband and wife are a diptych.  Transparency taken while we were cruising Central America in our sailboat 2000-2001.
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  • This landscape photo, from the Guna Yala region of Panama, shows dark powder blue water below the horizon, in the middle of the image; and a similarly dark powder blue sky—all through the filter of an imperceptibly light fog. In the middle of the photo, at the horizon line, a small round island is visible. The island is 150-200 feet away, and maybe another 100-feet in diameter. A cluster of dark green and dark teal palm trees rises from every inch of the island, 50-60 feet high. Intersecting the lower left third of the image we see a dugout canoe which is almost parallel to the lens. The stern is slightly more distant than the bow, which is tied to a stick jutting out of the water two canoe-lengths to the right. A fisherman sits in the canoe, his back to us, arms stretched out sideways, as he manages the fishing line.

    Misty Fisherman

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  This lone fisherman worked in solitude as the quiet of the evening mist closed around him.  Image taken while cruising the San Blas in our sailboat 2001.
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  • A vertical head and shoulder portrait of a Kuna woman in the Guna Yala region of Panama. A red cotton scarf covers medium-length black hair. She wears a lime-green blouse with large red and yellow flowers which is lit in the dazzling sun. Bright red and blue beads wrap tightly around her forearms from wrists to below her elbows. A long, thin black vertical tattoo traces from the tip of her nose to her forehead. She looks down at her gnarled hands are she sews a Kuna mola. Equal parts of sky, island, and ocean blur the background.

    Mola Seamstress

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  The only way to truly experience the islands is by sailboat, and we sailed them for a month.  They sell fruit, vegetables, and handmade mola textiles to the cruisers.  Women wear mola blouses with patterned skirts, red and yellow head scarfs, arm and leg beads, long black lines down the nose, and often a gold nose ring.  This woman hopped on deck to sell her mola inventory.  Taken while we were cruising Central America in our sailboat 2000-2001.
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  • Horizontal landscape photo looking south on the Naples Beach at sunset. Ripples of white sand, illuminated by the setting sun to the right, with rippled shadows on the left, fill the bottom half of the photo with pastel shades of beige, mauve, light gray, and amber. A solid, light gray cloud covers the top 1/3 of the image, underneath which cloud wisps wash across a light blue sky which blends with faint yellow and blue pastels of the ocean on the right side of the photo. A triangle of palm trees and green foliage, glowing from the setting (off-camera) sun, slices into the scene on the left 1/3 of the image. Small distant figures walk on the beach in the distance.

    Naples Beach Afternoon, 2018

    $822.00 – $2,832.00
    A wide stretch of white sand shaded pink in the setting sun at Naples Beach, Florida.  I took this image after Bekki and I had dinner in Naples.  Just walk Fifth Avenue west until you reach the Gulf.
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  • A horizontal drone photo on Ocean Drive in Miami’s South Beach at night. Taken from 30-feet in the air from the park across the street, the composition looks straight to the center of the Avalon Hotel. Bands of bright green neon lights stretch across each of the three-story balconies, in between a checkerboard of backlit and unlit windows. The hotel’s signature “Avalon” horizontal sign, in large art-deco font, illuminates the front of the building’s second story. Square yellow umbrellas line Ocean Drive where guests dine alfresco. A lone, white and yellow 57’ Chevy convertible, with 4-inch whitewall tires and lots of ‘attitude,’ sits proudly, parked on the street. The polished hood and trunk of the Chevy glistens underneath the green lights of the hotel’s façade.

    Ocean Drive at night – Avalon

    $822.00 – $2,832.00
    Elaborate lighting systems illuminate South Beach's Ocean Drive at night. This is one of a series of drone shots which required three separate trips to South Beach.  The shots were technically difficult because of pedestrians, vehicles, and stiff breezes off of the Atlantic Ocean.  This shot is of the Avalon hotel with a vintage yellow and white 1957 Chevy convertible parked in front.
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  • A horizontal drone photo on Ocean Drive in Miami’s South Beach at night, taken 30-feet in the air from the park across the street. A dark, deep purplish-blue light cloaks the three-story Crescent Hotel on the left—accentuated with blue neon art deco accent lights: Seven blue neon circles in a row hover just below the flat roofline. Horizontal blue neon lights line the tops of the windows on the second and third levels. On the right third of the façade, a pair of blue neon lights rise vertically from the portico to the roof, curving 90-degrees left over the blue circles. The Hotel's name, "Crescent," blazes in red neon art deco letters centered over the first-floor portico. Adjacent and to the right, Mc Alpin's three-story façade glows in a shimmering, amplified ultraviolet green. The illuminated 'Mc Alpin' sign, centered over the portico, blazes in an intense lime green over the entrance. Both façades look like art deco cubes: the dark blue Crescent on the left; bright green Mc Alpin on the right.

    Ocean Drive at night – Crescent

    $822.00 – $2,832.00
    Elaborate lighting systems illuminate South Beach's Ocean Drive at night. This is one of a series of drone shots which required three separate trips to South Beach.  The shots were technically difficult because of pedestrians, vehicles, and stiff breezes off of the Atlantic Ocean.  This shot is of the Crescent Resort on the left, with the Mc Alpin on the right.
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  • A BRIGHT RED torch ginger bloom fills the center of this vertical image, surrounded by dark green foliage.

    On Fire

    $822.00 – $2,832.00
    Red Ginger growing in Costa Rica.  Transparency taken 2000-2001 while we were cruising Central America in our sailboat.
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  • Bright blue sky frames the upper 2/3s of this landscape image. In the lower 1/3 of the image we see blue-green water from the Gulf of Mexico to the left; and a sandy beach to the right. Wave action has dampened the sand at the bottom of the image and to the right further up the beach. 60 feet away 20 Hobie 16 catamaran sailboats are lined up down the beach ready to launch for a race. Every sailboat has the same bright orange mainsail with a white palm tree and darker orange sunset on top of a 3-foot white strip along the bottom of the sail. The masts diminish down to the horizon line. The damp sand between the camera and the sailboats reflects the blue sky and orange sails.

    Orange Sails Blue Horizon

    $822.00 – $2,832.00
    The 22nd Hobie 16 World race was held on Captiva Island, Florida, on November, 2019. Hobie Cats line the beach between races. This image forms a color wheel clockwise from the white sand to the green waves, teal-colored ocean, blue sky, around to the orange and white sails.
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  • North America, United States, New Mexico, Valles Caldera National Preserve. 13-mile-wide depression of meadows and streams resulting from a volcanic eruption 1.25-million years ago.

    Rain Squall, Valles Caldera National Preserve

    $822.00 – $2,832.00
    Valles Caldera National Preserve is located in the Jemez Mountain range of northern New Mexico. The volcanic eruption that occurred 1.25-million years ago left behind a 14-mile wide volcanic caldera. As we explored the preserve in our rented Highlander that afternoon, squalls streamed across the basin, illuminated by late afternoon sun.  
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  • A horizontal landscape photo of a white stucco wall in Old Town, San Diego. The wall is brightly illuminated by the full-on overhead sun. A vertical window intersects the left third of the image. Framed with weathered wood painted olive-green, the narrow 3-foot wide window is centered underneath a six-foot long lintel, which is embedded into the stucco wall. The olive-colored lintel and window contrast dramatically against the white stucco wall. At the top edge of the image, shadows from the Spanish style tile roof (which is not visible) frame the upper edge of the photo in a narrow strip along the horizontal length of the white wall.

    Rancho Californio (1/3)

    $822.00 – $2,832.00
    San Diego's Old Town (started in 1769 as California's first settlement) has wonderful examples Spanish Colonial architecture, where Spanish colonists built single-story adobe structures with flat roofs.  Part of a triptych.
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  • A vertical landscape photo of a white stucco wall in Old Town, San Diego. The wall is brightly illuminated by the full-on overhead sun. A vertical door is centered in the image. Framed with weathered wood painted shades of olive and teal green, the door is centered underneath a six-foot long lintel, which is embedded into the stucco wall. Eight rectangular panels, carved into the door, cast shadows below each panel. The olive-teal colored lintel and door contrast dramatically against the white stucco wall. At the top edge of the image, shadows from the Spanish style tile roof (which is not visible) frame the upper edge of the photo in a narrow strip along the horizontal length of the white wall.

    Rancho Californio (2/3)

    $822.00 – $2,832.00
    San Diego's Old Town (started in 1769 as California's first settlement) has wonderful examples Spanish Colonial architecture, where Spanish colonists built single-story adobe structures with flat roofs.  Part of a triptych.
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  • A horizontal landscape photo of a white stucco wall in Old Town, San Diego. The wall is brightly illuminated by the full-on overhead sun. A vertical door, just left of center, is framed with weathered wood painted shades of olive and teal green. Above the door a six-foot long lintel is embedded into the stucco wall. Eight rectangular panels, carved into the door, cast shadows below each panel. The olive-teal colored lintel and door contrast dramatically against the white stucco wall. At the right side of the image, shadows from a nearby tree frame the edge of the photo in a narrow strip along the vertical length of the white wall.

    Rancho Californio (3/3)

    $822.00 – $2,832.00
    San Diego's Old Town (started in 1769 as California's first settlement) has wonderful examples Spanish Colonial architecture, where Spanish colonists built single-story adobe structures with flat roofs.  Part of a triptych.
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  • North America, United States, New Mexico, Rio Grande Gorge Bridge. At 650' above the Rio Grande (height disputed), the Gorge Bridge is the fifth highest bridge in the U.S.

    Rio Grande Gorge Bridge Fly-Under 1

    $822.00 – $2,832.00
    The Rio Grande Gorge Bridge, located about 12-miles northwest of Taos, is purported to be the fifth highest bridge in the U.S., spanning the gorge 650-feet above the Rio Grande. I couldn't resist flying my drone underneath the bridge, which was technically challenging from 800-feet away, above the cliff walls, in the bright sun. High five for not crashing the drone!
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  • North America, United States, New Mexico, Rio Grande Gorge Bridge. At 650' above the Rio Grande (height disputed), the Gorge Bridge is the fifth highest bridge in the U.S.

    Rio Grande Gorge Bridge Fly-Under 2

    $822.00 – $2,832.00
    The Rio Grande Gorge Bridge, located about 12-miles northwest of Taos, is purported to be the fifth highest bridge in the U.S., spanning the gorge 650-feet above the Rio Grande. I couldn't resist flying my drone underneath the bridge, which was technically challenging from 800-feet away, above the cliff walls, in the bright sun. High five for not crashing the drone!
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  • North America, United States, New Mexico, Rio Grande Gorge Bridge. At 650' above the Rio Grande (height disputed), the Gorge Bridge is the fifth highest bridge in the U.S.

    Rio Grande Gorge Bridge from the Canyon Wall

    $822.00 – $2,832.00
    The Rio Grande Gorge Bridge, located about 12-miles northwest of Taos, is purported to be the fifth highest bridge in the U.S., spanning the gorge 650-feet above the Rio Grande. This shot was taken about 1/4 mile north of the bridge. In reviewing the video afterwards, I realized the drone grazed the cliff wall—as evidenced by shaking video. Lucked out again.
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  • Horizontal landscape of the backcountry road to Hana on the island of Maui, Hawaii. We look down an empty, deep lavender gray, two-lane country road which extends across the bottom left side of the image. The road curves to the right around a bend several hundred feet away in the center. Dark blue mountains, tinted purple, cut across the horizon—their ridgelines reach up into heavy gray overcast clouds. The mountains dip down slightly where the road turns around the bend, forming a wide V-shaped skyline. Tall pale mint-colored grass meadows line both sides of the road. On the right side of the photo, a steep hill, covered in multiple shades of pastel green grass, climbs up from the road into the cloudy sky. Several deciduous trees have grown through the thick grass carpet. The scene is one of quiet solitude awash in soft grey, green, and purplish-blue hues.

    Road to Hana

    $822.00 – $2,832.00
    During one of our many trips to Maui we rented a car and drove the back road to Hana, along Maui's north shore—including its 617 turns, 59 bridges, and over 52-miles of mostly dirt road.  This pastoral scene from the Hana Highway depicts Maui's serene landscapes. I love the quiet pastel mood of this photo.
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  • This portrait landscape photo is taken from the ridge of a steep mountainside on the island of St. Lucia in the Caribbean. A stone wall on the left side of the image, which is perpendicular to the camera, follows a two-track road, just below it, off into the distance. Bright green grass in the middle and on both sides of the two-track, provides a series of stripes in the foreground. The mountainside disappears down to the right through palm trees and jungle foliage. About half a mile away another mountain peaks in front of a bright blue sky. In addition to the blue sky and gray stone wall, there are 100 different shades of green throughout the photo, ranging from grass green to dark teal on the distant mountain, which is partially darkened by an overhead cloud.

    Saint Lucia Mountain Road

    $822.00 – $2,832.00
    A mountain road on the island of Saint Lucia, part of the Lesser Antilles.  Nothing exceptional about the location—there are millions of similar views throughout the Caribbean.  I just really liked all of the different verdant shades of green; and the composition, with the stone wall and two-track road leading off to the mountain.
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  • A landscape photo of a tropical island taken in the Guna Yala region of Panama. The upper left side of the image shows dark green palm trees leaning to the right over the beach and ocean. In the lower left we see several waterlogged logs that have drifted ashore onto the beige sand. The beach arcs away from the lens in a crescent, forming a light-teal colored bay in the center of the photo. Deeper shades of teal are seen on the right side of the photo as the shallow bay falls into the depths of the Caribbean Ocean. On the horizon we see a band of white clouds, with blue sky overhead.

    San Blas Islands (1/2)

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  We sailed the archipelago for a month, snorkeling and exploring nearby islands. Rebecca painted this image, which is now in our home.  Image made while we were cruising the San Blas in our sailboat 2001.
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  • A landscape photo of a tropical island taken in the Guna Yala region of Panama. The upper left side of the image consists of a light blue sky with a few puffy clouds in the distance. The Caribbean Ocean, in patches of light and dark teal, covers the lower left side of the image. In the upper right side we see deep green sunlit palm trees leaning left, over a light beige colored sand beach in the bottom center and lower right side.

    San Blas Islands (2/2)

    $822.00 – $2,832.00
    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  We sailed the archipelago for a month, snorkeling and exploring nearby islands.  Image made while we were cruising the San Blas in our sailboat 2001.
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  • This landscape portrait of a chef in San Salvador, El Salvador, shows him in a double-breasted, white chef’s uniform. He is a young, handsome El Salvadoran man in his late twenties. He faces the camera directly. In the bottom of the frame, we see his torso just above his elbows. His right shoulder is positioned just below center in the image. He leans to his left, such that his face is in the right 1/3 of the frame. He wears a 2-foot-high white chef’s hat that leans upward and to the right at a 25-degree angle. Dark green tropical foliage blurs in the background on the left side and right edge of the photo, making his white uniform and conspicuously tall hat pop in the foreground.

    San Salvador Chef

    $822.00 – $2,832.00
    I don't remember the name of the restaurant in San Salvador (El Salvador) where I met this chef, but I had to take a shot of him and his chef's hat.  As you can see, his chef's hat takes half the vertical space of the frame.  Found this wonderful background of foliage in the back parking lot.  Image taken while cruising Central America in our sailboat 2000-2001.
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  • North America, United States, New Mexico, Sante Fe. Lavender and yellow flowers in front of an adobe stucco wall.

    Santa Fe Adobe and Sage

    $822.00 – $2,832.00
    Sage shrub with lavender flowers anchor the adobe wall of an art gallery on Old Santa Fe Trail, downtown Santa Fe, New Mexico.
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