• A landscape (layout) photo taken from the cockpit of a sailboat under sail in the Gulf of Chiriqui, on Panama’s Pacific coast. The horizon bisects the image horizontally, balanced with blue sky above and blue ocean below. Golden clouds can be seen on the left edge of the photo from an off-camera sunset. The forward half of a sailboat’s cockpit, mast, and bow is visible on the right side of the image. Its boom stretches from overhead to the mast in the center of the image, where it intersects with the horizon. A man steers at the helm as the boat plunges into a white foam wave off the forward port quarter, which points the bow towards the horizon line.

    30 Knots in the Gulf of Chiriqui

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    This is one of my favorite photos from my 3-years of cruising the Pacific on our Hallberg-Rassy 42, 'Andante.'  We were sailing in flat seas in the Gulf of Chiriqui as we made our way toward the Panama Canal.  Suddenly, wind and seas perked up with no clouds anywhere.  My friend and accomplished sailor, Chris Brown, on a close reach as the sun set on the horizon.  Transparency taken while we were cruising Central America in our sailboat 2000-2001.
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  • Horizontal landscape photo of a sunset on Captiva Island, Florida. A dark golden sky at the horizon, visible on the upper third of the image, extends upward to a light gray after the sun has set. Wisps of gray and amber-colored clouds stretch across the middle of the sky. Bands of light and dark bluish-gray waves reflect the gold-colored sky in the lower 2/3 of the image. A young boy and girl, visible as dark silhouettes, play in the shallow waves breaking on the beach in the lower right third corner of the photo.

    Captiva Sunset

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    Children play in the surf, silhouetted by sunset at Alison Hagerup Beach on Captiva Island.  Captiva is a 40-minute drive from our home in Southwest Florida (if you don't mind the $6 causeway toll).  Image #3 of 3.
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  • This horizontal landscape photo shows a sunset in the Guna Yala region of Panama. Taken from the deck of an anchored sailboat, ocean comprises the lower 1/5th of the image. The balance of the image consists of a wall of lavender-colored clouds with a yellow setting sun peeking through the scattered cloud layers in the left upper third. The ocean below reflects the sky’s lavender, yellow, and gold colors in a blended palette of pastels. In the lower right bottom of the image we see the edge of a small island, its palm tree outline silhouetted black against the lavender sky.

    Lavender Sunset

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    A purple pastel sunset while at anchor in the San Blas Archipelago of Panama.  Off the northeastern coast, the archipelago is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  The only way to truly experience the island is by sailboat, and we sailed the islands for a month.  Image made while we were cruising Central America in our sailboat 2000-2001.
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  • Horizontal landscape photo looking south on the Naples Beach at sunset. Ripples of white sand, illuminated by the setting sun to the right, with rippled shadows on the left, fill the bottom half of the photo with pastel shades of beige, mauve, light gray, and amber. A solid, light gray cloud covers the top 1/3 of the image, underneath which cloud wisps wash across a light blue sky which blends with faint yellow and blue pastels of the ocean on the right side of the photo. A triangle of palm trees and green foliage, glowing from the setting (off-camera) sun, slices into the scene on the left 1/3 of the image. Small distant figures walk on the beach in the distance.

    Naples Beach Afternoon, 2018

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    A wide stretch of white sand shaded pink in the setting sun at Naples Beach, Florida.  I took this image after Bekki and I had dinner in Naples.  Just walk Fifth Avenue west until you reach the Gulf.
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  • Horizontal landscape photo of a sunset at Naples Beach, Florida. The sun, visible as a bright pinpoint just left of center on the horizon, 1/5th from the bottom of the photo, burns through a micro strip of dark gray clouds just at the ocean’s edge. The setting sun casts a golden sheen across a black-teal almost waveless Gulf of Mexico. The underside of clouds stretching across the upper 2/3 of the photo glow a faint but deep yellow gold from the diminishing sun. Distinctive colorful shapes from many other smaller clouds—bright white, dark gray, and deep gold—explode across a dark blue sky just above the horizon, like puffs of smoke from exploding fireworks.

    Naples Beach Sunset, 2018

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    Golden sun on the horizon just at sunset on Naples Beach, Florida.  I made this image after Bekki and I had dinner in Naples.  The beach is a short walk down Fifth Avenue.
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  • This landscape photo, from the Guna Yala region of Panama, is taken from the perspective of standing on an island beach. In the lower 1/5 of the image we see a small flat wave receding from a dark mauve colored sand. The edge of the water ripples and foams as it pulls away from the beach. Above the receding wave, up to the horizon line in the middle of the photo, various shades of teal-colored water wrinkle from a soft breeze. In the middle of the photo, about 150-feet away, we see a ketch at anchor, its bow facing left into the wind. The setting sun, which is off camera to the right, illuminates the port side of the yacht in a soft golden light. Directly behind the sailboat, and perhaps another 100-feet distant, a small island with dark palm trees provides a backdrop to the bow, stern, and top of the glowing sailboat. A blue sky peeks through many clouds in the top half of the image. Clouds on the right side of the photo are also illuminated by the setting sun, which accents the blue sky with shades of gold, yellow, gray, and lavender.

    San Blas Anchorage

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    The San Blas Archipelago, off the northeastern coast of Panama, is home to the Kuna Yala—an indigenous people that inhabit its 365 coastal islands.  The only way to truly experience the islands is by sailboat, and we sailed them for a month. Walking the beach on one of these many islands, I looked up to see this ketch gently illuminated by the setting sun.  Shot while cruising the San Blas in our sailboat 2001.
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  • Horizontal photo of the Sunshine Skyway Bridge that spans the entrance to Tampa Bay between St. Petersburg to the north (left), and Terra Ceia to the south (right). The bridge’s distinctive cable-stayed supports rise like two gigantic sails 250-feet high over the 180-foot bridge height on the right two-thirds of the image. (Total height 430-feet.) The sky behind the bridge, in the upper two thirds of the image, ranges from a muted grayish mauve on the horizon to a dusty mustard yellow at the top of the frame. Waters in the foreground reflect the gray-mauve horizon. On the left side of the photo, the bridge diminishes in perspective to a small point on the horizon.

    Skyway Bridge

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    The Sunshine Skyway Bridge spans the southern tip of St. Petersburg, Florida, with Terra Ceia on the south side of Tampa Bay.  Here, I captured the cabled support systems of the bridge's sails with a backdrop of yellow-cast clouds after the sun had set.
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  • This landscape photo, from the Boca del Toro region of Panama, shows a wooden pier jutting out from the right side of the image. The pier’s walkway is exactly on the horizon line. At the end of the pier, almost on the left side of the image, we see three separate thatched roofs held up by thin log supports. A soft golden light from the setting sun highlight the thin edge of the pier and thatched roofs facing the camera. The water, a muddy blue-teal pastel, is calm except for long ripples that turn the reflected roofs into dark brown, striated streaks on the surface. A bright blue sky provides a colorful contrast to the bright golden thatched roofs.

    Thatched Cabana Pier

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    The cabana on this pier takes on a golden glow in the setting sun near Bocas del Toro, Panama.  We had no idea that we would never again return: The September 11 terrorist attacks changed the world.  Image taken while cruising Central America in our Hallberg-Rassy HR 42 sailboat 'Andante,' in 2001.
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  • A landscape photo shows a horizon of black silhouetted trees rising up from the horizon, about ¼ mile away. The photo is taken from a dark gray river, its waters seen at the bottom one fifth of the photo. On the left 1/3 of the image, just above the horizon, we see the San Miguel Volcano pushing into the sky, the top half of which is lit by the setting sun. Golden clouds cluster around the volcano’s peak. Behind the volcano we see a peach-colored sky, with gray clouds above, and light blue sky behind the gray clouds at the very top of the photo. The dark gray water of the river reflects peach and blue skylights.

    Volcan Chaparrastique

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    San Miguel volcano (also known as Volcan Chapparastique) is an active volcano about nine miles southwest of San Miguel, El Salvador.  Here, the setting sun begins to fade on the volcano's western face.  This image taken from the deck of Andante, our 42-foot sailboat, from the Lempa River while cruising Central America 2000-2001.
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  • A landscape (layout) photo of a wall of an abandoned building in Panama City, Panama. Three boarded up doorways on the second story each have their own wrought iron balcony. Underneath the three upper doors are three more doors on the ground floor. Teal colored stonework frames each of these doors on both sides and a keystone arch overhead. The ground level doors have wrought iron fences barring access. Paint on the beige-colored stucco wall cracks, flakes, and peals with age. The setting sun casts golden light on the upper 2/3s of the image, while the lower 1/3 is in a softer golden shadow.

    Wrought Iron Twilight

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    Walking Panama City (Panama) one evening as the sun set, I came across this abandoned building just at golden hour, as the sun slipped below the horizon.  The combination of wrought iron railings and teal-colored tile arches formed an unusual color palette on the facade, with the decaying building behind it.  Shot while we were cruising Central America in our sailboat 2000-2001.
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